by Sarah Beth Durst ‧ RELEASE DATE: June 9, 2020
Magical animals become a kooky, sweet metaphor for growing up.
She’s just the adorablest, teeniest of stray kittens—suddenly grown as big as a hippopotamus.
Zoe’s not supposed to bring stray animals home anymore, ever since the skunk incident. Who can resist the world’s smallest kitten, though? And it’s Zoe’s 12th birthday, and she’s been unhappy at how tall she’s grown, and she’s been crushed over her older brother’s impending departure for college; eventually, her concerned parents cave. But after Pipsqueak’s been with Zoe for just a couple of days, she’s suddenly a full-grown cat. Then she’s the size of a dog, then a lion, and after less than a week, a hippo. If the government finds out about the enormous talking feline (for Pipsqueak can speak, now, and read as well), will they take her away to Area 51? Zoe and her best friend, Harrison, begin a quest: They’ll take Pipsqueak to Zoe’s wacky New Age aunt, who’ll maybe have a solution for them. Along the way their fellowship swells with magical animals, an offbeat crew composed of a six-tailed green dog and a multicolored flying mouse. The far-fetched setup and ensuing adventure convey themes that will resonate with the audience; Pipsqueak’s as unhappy with her out-of-control body and circumstances as Zoe, and the quest may lead them to new comfort with themselves. Zoe is depicted as white on the cover, and Harrison is of South Asian descent.
Magical animals become a kooky, sweet metaphor for growing up. (Fantasy. 8-11)Pub Date: June 9, 2020
ISBN: 978-0-358-06502-9
Page Count: 288
Publisher: Clarion Books
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
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by Rebecca Bond ; illustrated by Rebecca Bond ‧ RELEASE DATE: July 7, 2015
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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by Rebecca Bond ; illustrated by Salley Mavor
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by Rebecca Bond ; illustrated by Rebecca Bond
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by Rebecca Bond ; illustrated by Rebecca Bond
by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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by Valerie Worth & illustrated by Natalie Babbitt
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