Addled Texas socialite hits rock bottom.
When Blythe Young marries big Texas money, she thinks she’s set for life. As Mrs. Trey Biggs-Dix, Blythe can say adios to her blue-collar childhood. She quickly adapts to her new lavish life and learns to hold her own with the big-haired, big spending social X-rays in her universe. Just as Blythe’s getting comfortable in her Jimmy Choo shoes and Ralph Rucci satin suits, her mother-in-law sets the wheels in motion to excommunicate Blythe from the esteemed Biggs-Dix clan. When it’s all over, she is left penniless, dependent on drugs and booze with nary a friend. Blythe knows she’s really hit the depths when she’s reduced to calling on her old college chum, Millie, for help. Despite being left in the dust when Blythe was enjoying the high life, Millie happily welcomes Blythe into her modest home. Millie resides just where Blythe left her—back in a shoddy University of Texas house filled with outcasts. Millie now runs the ramshackle abode—it serves as home base for Millie’s philanthropic operations and personal ministries. This Good Samaritan refuses to listen to those around her telling her that Blythe is nothing but trouble. Sure enough, she embroils the house in one scandal after the next. Blythe’s outrageously selfish behavior may cost Millie and her housemates their home. To put things right, Blythe’s going to have to pull off her biggest scam yet. Bird (The Flamenco Academy, 2006, etc.) delivers big laughs with her spot-on examination of Texas’s high falutin’ ladies; reading about Blythe’s antics is pure, wicked fun. Sadly, this naughty treat turns mushy sweet when Bird begins to moralize. The righteous ending is unexpected—and tough to accept in a book otherwise devoted to camp and cattiness.
Jolly ho-down spoiled by sermonizing.