Not every high-school senior gets to plan her mother’s fifth wedding the week after graduation, but then, not everybody has a mother who is a famous romance novelist either. Remy is not the average grad heading off to college at Stanford; she’s perfectly organized, neat, tidy, on time, and boy-smart, having learned from her mother’s experiences that commitments are too risky to take. This summer will be her usual: a receptionist job at Jolie Salon, nightly gatherings with her three girlfriends at the Quik Zip and music clubs, and a temp boyfriend, no strings attached. Mom’s #5 is the owner of Don Davis Motors whom she met when she went to buy a new car. Ironically, it was in Don’s showroom that Remy met Dexter, the antithesis of her usual guy: clumsy, messy, impetuous, and persistent, but, worst of all, a musician. Despite her own rules about boys, Remy finds herself drawn to Dexter, but her feelings and trust in him crumble when his band, Truth Squad, plays “This Lullaby”—her song, emotional crutch, and the only gift from the father she never knew. Written for her by her hippie, songwriter father, Husband #1, when he disappeared from her life, the now-famous song echoes the sentiment that he—and men—will always let you down. As her mom’s latest marriage dissolves in a puddle of deceit, bad clichés, and cans of Ensure, Remy caves in to her own subverted emotions. Remy’s voice rings true with realistic dialogue and emotional traumas. Insightful writing, distinctive characters, and a contemporary scene where sex and music rule, compose a melody worth reading. (Fiction. YA)
Pub Date: May 1, 2001
ISBN: 0-670-03530-0
Page Count: 352
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2002
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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