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EXTRAORDINARY WARREN

A SUPER CHICKEN

This is a story that keeps interrupting itself.

A few pages into the comic, the narration is drowned out by sound effects. A flock of chicks keeps squawking for two pages straight. It happens right in the middle of a sentence: “They pecked all day long. EVERY SINGLE DAY. It drove Warren…Peep! Peck! Peck! Peck! / CRAZY.” (Eight nearly identical panels labeled Sunday through Sunday show four chicks peeping and pecking, as Warren looks on with increasing exasperation.) This is, presumably, supposed to be an amusing, postmodern device, but mostly it’s just an annoyance. In fairness, it’s supposed to be annoying. Warren hates the daily routine on the farm. He says, “I’ve had enough pecking and peeping….I am MORE than just an ORDINARY CHICKEN.” Warren becomes a sort of poultry superhero, rescuing the others from Millard the rat, who has invited them all to a barbecue. Large sections of the plot may feel familiar. The book feels much like the film Chicken Run, for example. But the story isn’t the point. The point is the jokes, which are terrible and brilliant in equal measure. When Warren bumps into an egg, he says, “OEUF!” The simple line drawings are charming. The text is a matter of taste. It will be a hit with fans of borscht-belt humor. Everyone else may be driven…CRAZY. (Graphic fiction. 6-9)

 

Pub Date: Feb. 11, 2014

ISBN: 978-1-4424-5340-1

Page Count: 64

Publisher: Aladdin

Review Posted Online: Nov. 30, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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DOG DAYS

From the Carver Chronicles series , Vol. 1

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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