No real surprises in the romance department, but the depiction of Florence as Tehran under the Ayatollah is an eye-opener.
British author Dunant (Mapping the Edge, 2001, etc.) weaves everyone’s favorite art history moments into a vivid tapestry of life on the Arno during the upheaval of the Renaissance.
The postmortem ablutions of Sister Lucrezia reveal surprises. The breast cancer that was thought to have killed her was neither cancerous nor mammary, and her aged monastic corpse was lavishly decorated with a most vivid and decidedly impious serpent. How such things came to be are revealed in a retracing of the late nun’s youth, flowering, and de-flowering following the death of Lorenzo the Magnificent. Fourth and favorite child of a prosperous silk manufacturer and his highly cultured wife, Alessandra Cecchi is far less conventionally attractive than her sister, but she’s got her mother’s brains and a powerful craving to make art. So, cursed with excessive wit and artistry, this young Florentine is highly vulnerable to the surly attractions of the painter her upwardly mobile father has brought home from the gray reaches of northern Europe to do up the family chapel. The nameless decorator, however, seems impervious to her gawky charms, and the possibility of a relationship is nipped in the bud by the sudden need of a much older family acquaintance to find a wife and get an heir. Alas, on her wedding night Alessandra learns in the most humiliating way how it came to be that her flamboyant brother Tomaso was such good friends with her new husband Cristoforo and how there will be none of the carnal pleasures of the garden-variety marriage. The charming and cultured Cristoforo has formed this unholy alliance to stay out of the clutches of Girolamo Savonarola’s religious storm troopers. To the chagrin of all, the grisly wedding coupling fails to produce a child. Then, as the Dominican Taliban starts to squeeze the life from the Florentine Republic, Alessandra finds her way back to the family chapel and the very needy young genius.
No real surprises in the romance department, but the depiction of Florence as Tehran under the Ayatollah is an eye-opener.Pub Date: Feb. 24, 2004
ISBN: 1-4000-6073-7
Page Count: 400
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
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