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TRANSGRESSIONS

A London Czech translator threatened by a rapist goes after her tormentor with a vengeance—in this straight-suspense holiday from Dunant’s Hannah Wolfe detective stories (Under My Skin, 1995, etc.). The false notes in Elizabeth Skvorecky’s life begin so quietly that she assumes she’s imagining things—the Van Morrison CD that’s disappeared from her collection, the replacement CD that vanishes from her disc player. Surely there’s no reason for her departed lover Tom, a classical music buff, to have helped himself to music he despised. And Tom himself, though not above a supercilious sneer when Lizzie calls to ask him to return his housekey, ends up sending back the key, and a Van Morrison disk to boot. But then somebody repeatedly breaks into her house, marking his place with uncanny signatures’stacking up all her CDs in a neat pile, setting the kitchen table for two, spattering the manuscript she’s been translating with ketchup—and leaving Lizzie almost as confused as frightened. What’s going on here? The locksmith she calls to beef up her security respectfully suggests she may be harboring a poltergeist; the local vicar she consults talks about outbursts of suppressed emotion. Then, shortly after Lizzie’s responded to her importunate friends by pulling herself away from the translating job long enough to restart her sex life, she confronts her nemesis, a hammer-wielding rapist, face to face. So far everything has been routine, if breathlessly so; but with Lizzie’s obligatory scene with the intruder, which she transforms from rape to edgy seduction, Dunant strikes out into new territory, as Lizzie declines to call the police on the departed attacker, determining to hunt him down herself, and baiting a trap for him with salaciously, subversively altered passages from her translation, and with the promise of settling scores with her for good. An unsettling, often chilling, portrait of a compulsive predator and the woman who refuses to be his prey.

Pub Date: April 1, 1998

ISBN: 0-06-039248-7

Page Count: 384

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 15, 1998

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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