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EVERYONE WE'VE BEEN

The realistic message about the human heart’s resiliency doesn’t always fully merge with the science-fiction elements.

Addie’s investigation into the source of her hallucinations of a teenage boy is interspersed with flashbacks of her first romance.

Biracial (black/white) Addie’s conversations with a handsome, redheaded, white stranger elicit strange stares, something she’s been accustomed to all her life. When readers see how her best friend, Katy, reacts to stories about him, they will quickly realize that Addie is hallucinating. Eventually Addie also realizes she’s delusional, but she believes that her hallucination has an identity in the real world. She begins researching, convinced that discovering his identity will stop the delusions. However, the investigation’s dramatic tension is somewhat diminished since the interwoven flashbacks have already revealed that the hallucination and Addie’s first boyfriend, Zach, share many physical traits. This makes it easy for readers to conclude they are one and the same, and since Katy obviously knows the truth, Addie’s refusal to simply allow her to share her knowledge also makes the investigation seem unnecessarily drawn out. Readers spend much of the novel waiting for Addie to catch up, though the science-fiction brain surgery that explains both the hallucinations and a secondary plot involving Addie’s emotionally distant family dynamic will be surprising (unless readers have read the back cover blurb, which unfortunately contains many spoilers).

The realistic message about the human heart’s resiliency doesn’t always fully merge with the science-fiction elements. (Science fiction/romance. 12-18)

Pub Date: Oct. 4, 2016

ISBN: 978-0-553-53844-1

Page Count: 400

Publisher: Knopf

Review Posted Online: June 27, 2016

Kirkus Reviews Issue: July 15, 2016

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WINGS OF STARLIGHT

A magical story with a classic Disney feel exploring love, friendship, and leading amid hardship.

Shortly before the new queen’s coronation, a monster wreaks havoc, forcing a young fairy princess to intervene at her own risk.

In Pixie Hollow, the Never Fairies of Spring, Summer, and Autumn work to create seasons for the humans on the Mainland, while the fairies of Winter remain apart in the Winter Woods. Clarion, a governing-talent fairy who’s soon to take over as queen of Pixie Hollow, often looks wonderingly at the Winter Woods. But crossing the border is against the rules set forth by her mentor, Queen Elvina. When a monster from Winter breaks free and enters Spring, Clarion bristles at Elvina’s dismissal. Determined to be involved, she secretly travels to Winter, meets with Milori, the Warden of the Winter Woods, and learns that the land is nothing like what she’s heard, making her wonder what else the queen has been untruthful about. Together Milori and Clarion work to discover the secrets of Pixie Hollow, which may save them—or lead to death. Set in a magical place of flowers and pixie dust, this story considers the control we have over the roles we’re assigned. Clarion is a beautifully complex character—strong yet insecure, lovable due to her willingness to prioritize relationships over rules. Themes of fear, forbidden love, and good vs. evil are present in this fast-paced, engaging tale. Main characters are cued white.

A magical story with a classic Disney feel exploring love, friendship, and leading amid hardship. (Fantasy. 12-18)

Pub Date: Feb. 4, 2025

ISBN: 9781368098458

Page Count: 400

Publisher: Disney Press

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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