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EVERYONE WE'VE BEEN

The realistic message about the human heart’s resiliency doesn’t always fully merge with the science-fiction elements.

Addie’s investigation into the source of her hallucinations of a teenage boy is interspersed with flashbacks of her first romance.

Biracial (black/white) Addie’s conversations with a handsome, redheaded, white stranger elicit strange stares, something she’s been accustomed to all her life. When readers see how her best friend, Katy, reacts to stories about him, they will quickly realize that Addie is hallucinating. Eventually Addie also realizes she’s delusional, but she believes that her hallucination has an identity in the real world. She begins researching, convinced that discovering his identity will stop the delusions. However, the investigation’s dramatic tension is somewhat diminished since the interwoven flashbacks have already revealed that the hallucination and Addie’s first boyfriend, Zach, share many physical traits. This makes it easy for readers to conclude they are one and the same, and since Katy obviously knows the truth, Addie’s refusal to simply allow her to share her knowledge also makes the investigation seem unnecessarily drawn out. Readers spend much of the novel waiting for Addie to catch up, though the science-fiction brain surgery that explains both the hallucinations and a secondary plot involving Addie’s emotionally distant family dynamic will be surprising (unless readers have read the back cover blurb, which unfortunately contains many spoilers).

The realistic message about the human heart’s resiliency doesn’t always fully merge with the science-fiction elements. (Science fiction/romance. 12-18)

Pub Date: Oct. 4, 2016

ISBN: 978-0-553-53844-1

Page Count: 400

Publisher: Knopf

Review Posted Online: June 27, 2016

Kirkus Reviews Issue: July 15, 2016

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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