by Sarah Fawn Montgomery ‧ RELEASE DATE: N/A
Evocative essays that delve into the paradoxes of human life.
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An English professor blends autobiography with social critiques in this essay collection.
Montgomery’s father built fences for a living, spending his “days removing dirt, adding posts in such a way that erosion or strong wind won’t knock them down.” Indeed, despite her sometimes messy childhood, the author’s father served as the fence post of her life, whose presence represented strength and safety until he contracted cancer. And while she is now an accomplished author and assistant professor at Bridgewater State University, Montgomery still sees herself as a “child,” afraid of the dark future, searching “for anything that will keep me with Daddy longer.” While grief and the raw vulnerability of a daughter who realizes her once invincible father now “exists in darkness” lie at the emotional core of the book, they also set the stage for broader reflections about her childhood and American society and culture. The volume’s autobiographical passages are written in a nonlinear style that jump back and forth across decades and locations, presenting the author’s recollections of her childhood, young adulthood, and relationship with her father in vignettes. Interspersed throughout these snapshots is a biting commentary on contemporary America, as the encroaching darkness of her personal life coincided with the Covid-19 pandemic; ever increasing societal isolation and polarization; and environmental catastrophes spawned by climate change. An extended metaphor of buried treasures, which connects a childhood memory to how humans write their own personal histories, is particularly well executed. “We bury the things we believe will define us after death,” she notes, hoping someday someone will dig them up. “In this way, we write the histories that will prevail.” As the author of multiple books of poetry, Montgomery is a skilled writer whose prose is simultaneously beautiful and tragic, nostalgic and despondent. And while the specific stories are the author’s own, the book taps into universal themes of grappling with complex family dynamics, growing up, leaving and returning home, and confronting death. This is a brilliant, if rather eclectic, collection; readers will hope for a sequel.
Evocative essays that delve into the paradoxes of human life.Pub Date: N/A
ISBN: 978-1-952897-25-52
Page Count: 192
Publisher: Split Lip Press
Review Posted Online: Aug. 21, 2022
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Brandon Stanton ; photographed by Brandon Stanton
by Bob Woodward ‧ RELEASE DATE: Oct. 15, 2024
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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by Bob Woodward & Robert Costa
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