by Sarah Fine ‧ RELEASE DATE: Oct. 3, 2017
A dark and twisty psychological thriller that straddles the question of what it means to be human.
A girl struggles to remember her involvement in her stepsister’s death, aided by an artificially intelligent therapeutic companion.
White teen Cora Dietrich can’t remember much of what happened the night her stepsister, Hannah, (also white) fell down the stairs to her death. They’d both been drinking, but Cora was far more intoxicated. An advanced camera nodule on her temple called a Cerapin could have captured everything, and the girls’ home AI, Franka, could have called for help, but both were turned off before the fall. As the new girl in town, Cora’s painted as suspicious by Hannah’s friends, and she’s certain that Gary, Hannah’s father, believes she murdered his daughter. Cora won’t help with the investigation, so Gary enlists the aid of a state-of-the-art therapeutic companion AI named Rafiq. Cora is quickly bowled over by handsome, olive-skinned Rafiq since he offers respite from her ever surveilling parents. Rafiq helps Cora uncover the truth of that night, all the while unraveling the secrets of the sisters’ fraught relationship as he reviews Hannah’s archive of Cerapin videos. Told through Cora’s and Rafiq’s perspectives, the story offers an intimate exploration of Cora’s claustrophobic world and Rafiq’s burgeoning autonomy. Readers will be hooked by the mystery and compelled by Cora’s and Rafiq’s distinctly surprising trajectories. Rafiq’s coloring and Muslim name go unexplored in the text.
A dark and twisty psychological thriller that straddles the question of what it means to be human. (Science fiction. 14-adult)Pub Date: Oct. 3, 2017
ISBN: 978-1-5420-4646-6
Page Count: 316
Publisher: Skyscape
Review Posted Online: Aug. 26, 2017
Kirkus Reviews Issue: Sept. 15, 2017
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by Sarah Fine
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by Kerri Maniscalco ‧ RELEASE DATE: Sept. 20, 2016
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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