Sure to tickle the imaginations of young readers and induce nostalgia in older ones.
A young girl takes a fantastic adventure to the Crayola factory.
Ellie, a brown-skinned girl with long, curly black hair, dreams every night of colors “no one had ever seen.” Though she tries to re-create these hues in art class, she can’t quite get them right. So when her teacher announces a trip to the Crayola factory, Ellie is thrilled. At the factory, a guide shows the students the different pigments used to create the crayons and tells the children that little creatures called color catchers traverse the globe in search of dynamic hues. Unfortunately, Ellie’s untied shoelaces cause her to fall and break several containers of pigment. But the tour guide is encouraging and tells Ellie that her accident has resulted in a wonderful new color, a rich blend of yellow, orange, and green, which Ellie proudly names daydream. Each page prominently displays the multihued rainbows that crayon lovers have come to expect when opening a box from the beloved company. As the book is the result of a partnership with Crayola, the logo can be seen throughout. Creative and fun, this tale is sure to inspire artistic-minded children. It pairs well with Natascha Biebow’s The Crayon Man (2019), illustrated by Steven Salerno, which chronicles the life of Edwin Binney, the inventor of Crayola crayons. (This book was reviewed digitally.)
Sure to tickle the imaginations of young readers and induce nostalgia in older ones. (Picture book. 4-8)Pub Date: Sept. 27, 2022
ISBN: 978-0-7624-7505-6
Page Count: 32
Publisher: Running Press Kids
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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