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THE CACTUS

A warm, witty portrait of a woman finally creating the family she deserves.

Unexpectedly pregnant at age 45, Susan Green finds her perfectly organized life turning upside down. And then her mother dies, leaving the family house to Susan’s ne’er-do-well brother, Edward, for as long as he wants to live in it.

Susan has spent her life trying to keep messy feelings at bay. An attorney by training, she’s chosen to avoid the troublesome job of looking after actual people’s problems and instead works as a data analyst in London. Even her love life is carefully choreographed: Instead of dating, she sensibly answered a lonely hearts ad from a well-groomed, well-employed gentleman looking for a companion, and for 12 years, she and Richard spent each Wednesday visiting art exhibits and having no-strings-attached intimate encounters. Once pregnant, Susan ends the relationship, not willing to risk her independence. Yet her mother’s will cracks open Susan’s carefully controlled emotions. Outraged that her drunken brother—the same brother who siphoned off all her mother’s affection and humiliated Susan in grade school—can live in the house for as long as he likes, Susan decides to take him to court to force him to sell it and split the proceeds with her. But unearthing evidence that he inappropriately influenced their mother proves challenging. In this, her debut novel, Haywood concocts a delightful collection of characters to lead Susan out of her emotionally cloistered life. Boozy villain Edward pushes her while his friend Rob, a charmingly disheveled landscape architect, finds himself falling for her as he tries to run interference. Susan also befriends her upstairs neighbor, Kate, whose partner abandoned her with two small children. Haywood deftly twists and turns Susan’s investigation, so each conversation with her gregarious Aunt Sylvia and even her mother’s vicar reveals not only more about her mother’s will, but also more of the secrets she kept from Susan. With new friends Rob and Kate, Susan begins to let her defenses down, accepting real love for perhaps the first time.

A warm, witty portrait of a woman finally creating the family she deserves.

Pub Date: May 29, 2018

ISBN: 978-0-7783-1899-6

Page Count: 368

Publisher: Park Row Books

Review Posted Online: March 5, 2018

Kirkus Reviews Issue: March 15, 2018

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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