GIRL TAKING OVER

Lois Lane has ambitions, and next on her agenda is a “prestigious summer-before-college internship” in National City.

What Lo didn’t expect was having to room with Miki Mihara, former bestie, current enemy, and longtime “disruptor of Life Plans.” Nor did she anticipate witnessing Cat Grant, the brown-skinned company founder she admires, rudely supplanted by an aggressively hostile white man in a corporate takeover that aims to strip CatCo of its inclusive vision. Working under a “devil-adjacent boss” and with her hopes for the experience going down the drain, Lo’s discouraged. But when she and Miki uncover an unsavory story, they resolve to speak their truths no matter the repercussions this exposé might have. Both girls are cued Japanese American, and it’s implied that Lo is biracial. Kuhn packs in themes of identity and the experience of growing up as an Asian American woman as Lo wrestles with the impact of racial trauma and how negative events can resurface. Her Japanese mom actively encourages Lo to vocalize and process her emotions, and their supportive communication is thoughtfully presented. Ultimately, Lo, who pursued the internship because she found Cat inspiring, in turn inspires others as she grows. An energetic, passionate, diverse cast populates this fast-moving story that will draw readers in and sustain their interest to the end. Pecini's striking retro color palette of teals, pinks, limes, and oranges complemented with Jovellanos’ inky black linework perfectly embodies the vibes of Kuhn’s text.

Bright and bold.