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ELEPHANT’S BIG SOLO

Weak messaging sadly leads to sour notes.

Standing solo can be tough.

Elephant’s favorite class is music (because she likes being part of the crowd), but when Ms. Gator, the music teacher, announces that everyone will be performing a solo piece, Elephant’s anxiety causes her to worry so much that she grows to dislike the class, Ms. Gator, her French horn, and music. Thankfully, the other students are there to help, and they volunteer to play her solo with her. This gives Elephant the courage to both mention that she composed her own song and to teach it to the class. The story wants to do a lot but suffers from shallow messaging. Sure, Elephant finally has the courage to share more of herself, but her anxiety isn’t proactively addressed by the other characters, who clearly see how unhappy she is—Tiger dismisses her concerns, saying, “It’s just a small recital,” while Grandpa tells her, “Sometimes we need to push ourselves.” The digital illustrations do their best to distract from the hollow story, as the characters are delightfully designed and extremely expressive, but the art can’t quite make up for the issues with the narrative. Regardless of anxiety level, readers will agree that the strongest takeaway here is that Ms. Gator seems like a real jerk. (This book was reviewed digitally.)

Weak messaging sadly leads to sour notes. (Picture book. 4-7)

Pub Date: Aug. 30, 2022

ISBN: 978-0-06-309320-1

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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