From Sadie, the surviving Delany sister, an inspiriting testimony to love and faith as she recalls life with Bessie and the challenge of learning to live on without her. With coauthor Hearth, who first brought the remarkable African-American Delany sisters to public attention in 1993 with their bestselling memoir Having Our Say, Sadie now describes the year following Bessie's death in September 1995. The two had been together since their distant childhood in North Carolina and all through the long remaining years in New York. As the older sister by two years, she never expected to survive Bessie: ``It doesn't seem natural that I outlived you . . . learning that I am a separate human being . . . for the first time in my life.'' But in the months ahead, Sadie does learn how to endure on her own and how to find pleasure in living. Summoning up the same religious faith that carried her through the worst excesses of Jim Crow legislation, she offers her memories of Bessie, and the conviction that Bessie is in heaven with their parents as a consolation for her grief. She punctuates her account of the passing year with comments on the flowers Bessie loved and cultivated in her garden, comforting quotations from the Bible, and what she's learned about life: ``To make the best of life, to keep trying, no matter what.'' But the same zest that made the sisters centenarian celebrities also enables Sadie to make a fulfilling life on her own. She starts writing this book, educates the young about the past, gives a party to celebrate Bessie's birthday, and is honored in turn on her 107th birthday. By the year's end, she's busy and content: ``Don't worry about me, Sister Bessie. Child, I've got plans.'' A bracing reminder from an exemplary teacher that life, a rare gift, must be savored in the living. (illustrations, not seen) ($150,000 ad/promo; TV satellite tour)
Pub Date: Jan. 29, 1997
ISBN: 0-06-251485-7
Page Count: 160
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1996
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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