An uneven, though potentially engaging, offering.
Potentially high-interest nonfiction content is obscured by missed opportunities for collaboration between art and text in this early reader.
Although the text immediately establishes the temporal and physical setting (“This is South American fifteen million years ago”), ensuing pages fail to clarify the introduction of the book’s subject, a now-extinct predatory bird. A frontmatter note indicates “The terror bird featured in this book is Kelenken guillermoi, a seven-foot-tall predator that lived about fifteen million years ago,” but if readers miss this key notation, they may flounder as they read about the eponymous terror bird’s predatory ways. The text intersperses facts within imagined hunting scenes, but the art fails to make the most of the descriptions. For example, the fourth page of text tells readers that “There were many kinds of terror birds. The smallest was the size of an eagle. A large one could be the size of a basketball hoop.” The accompanying picture shows two prehistoric birds labeled Brontornis and Psilopterus, and although they contrast greatly in size, they are set against an entirely white page, so there is no indication of scale to match the text. A more successful spread compares the role of these top predators with those that exist today, such as sharks, wolves and tigers.
An uneven, though potentially engaging, offering. (resources) (Informational early reader. 5-8)Pub Date: Aug. 1, 2013
ISBN: 978-1-58089-398-5
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: June 25, 2013
Kirkus Reviews Issue: July 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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