This fast-paced dystopian thriller will get a standing ovation from theater kids and punk rockers alike.
Under the authoritarian government of an alternate 1991, Anti-American Thought is illegal.
Max is dead. Trapped inside the thoughts and memories of his friend Gigi, he’s not sure how to move on. Reeling from Max’s death, Gigi and Axl, the third member of their friend group in Champaign, Illinois, aren’t sure what’s left for them during their senior year. TV infomercial personality turned dictator Bud Hill controls the music Americans listen to, the art they consume, and the plays they perform. After the suspicious death of their beloved theater teacher, Ms. Lee, Gigi and the Thespians organize risky underground rehearsals for Shakespeare’s Henry VI. The script is pared down and cut with punk music, inspired by RiotRite, an illicit Defiance zine. Despite her entanglement with longtime-crush Orin, Gigi and Axl’s convincing will-they, won’t-they tension offers the romantic narrative that propels the story. The action culminates in a raucous, high-stakes public performance of Henry VI directed by Gigi. Max narrates the story posthumously, living inside Gigi’s thoughts and providing dark, cutting exposition and plenty of dry, raunchy humor. Secrets, lies, and betrayal fuel this timely commentary on censorship and the defiant power of art set against the vivid backdrop of ’80s pop-punk music, Riot Grrrl culture, and the early internet. Gigi and Max (who’s bisexual) are cued white, Axl is racially ambiguous, and Ms. Lee is Chinese American.
This fast-paced dystopian thriller will get a standing ovation from theater kids and punk rockers alike. (reading list, playlist) (Fiction. 14-18)Pub Date: July 16, 2024
ISBN: 9780593479957
Page Count: 304
Publisher: Knopf
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
BOOK REVIEW
BOOK REVIEW
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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