A tribute to a giant of children’s literature and an artist’s need to put color on the page.
Mackenzie presents a picture book biography of children’s author Barbara Cooney.
“When she was a wisp of a girl, Barbara Cooney spent her summers in Maine,” the opening text reads, accompanied by an image of a blond, stick-legged Cooney looking out at a bright blue bay under a clear sky. This prefaces the evolution of her wild settings and love of travel, but there seems to be little to say about young, middle-class New Yorker Barbara, other than to note her desire to paint well, “like Mama”: “She went to school and came home and did her homework. Pretty soon she was all grown up.” Immediately after schooling, Cooney starts work as a children’s picture book illustrator, frustrated by publishers’ reluctance to print in expensive color. Her Massachusetts environs, including a barn door and chickens, inspires her first color book, Chanticleer and the Fox, which allows her to advance her artistic career and gives her license to work with a wider palette. Ewen’s illustrations echo Cooney’s, with lupins, natural landscapes, and penciled shading, though the colors are brighter, the botanical details less specific, and the domestic, cozy Americana depicted less mysterious than the evocative pictures or complicated worlds of Cooney’s own classics.
A tribute to a giant of children’s literature and an artist’s need to put color on the page.Pub Date: N/A
ISBN: N/A
Page Count: 48
Publisher: N/A
Review Posted Online: Sept. 12, 2024
Review Program: Kirkus Indie
BOOK REVIEW
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Energetic enough to carry younger rocketeers off the launch pad if not into a very high orbit.
The bubble-helmeted feline explains what rockets do and the role they have played in sending people (and animals) into space.
Addressing a somewhat younger audience than in previous outings (Professor Astro Cat’s Frontiers of Space, 2013, etc.), Astro Cat dispenses with all but a light shower of “factoroids” to describe how rockets work. A highly selective “History of Space Travel” follows—beginning with a crew of fruit flies sent aloft in 1947, later the dog Laika (her dismal fate left unmentioned), and the human Yuri Gagarin. Then it’s on to Apollo 11 in 1969; the space shuttles Discovery, Columbia, and Challenger (the fates of the latter two likewise elided); the promise of NASA’s next-gen Orion and the Space Launch System; and finally vague closing references to other rockets in the works for local tourism and, eventually, interstellar travel. In the illustrations the spacesuited professor, joined by a mouse and cat in similar dress, do little except float in space and point at things. Still, the art has a stylish retro look, and portraits of Sally Ride and Guion Bluford diversify an otherwise all-white, all-male astronaut corps posing heroically or riding blocky, geometric spacecraft across starry reaches.
Energetic enough to carry younger rocketeers off the launch pad if not into a very high orbit. (glossary) (Informational picture book. 6-8)Pub Date: Sept. 4, 2018
ISBN: 978-1-911171-55-3
Page Count: 32
Publisher: Flying Eye Books
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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