by Sarah Maizes ; illustrated by Michael Paraskevas ‧ RELEASE DATE: Sept. 17, 2013
Bed-based procrastination is nothing new, but Livi’s imaginative play takes the experience to an entirely superior level.
The exuberant heroine of On My Way to the Bath (2012) returns to tackle that most perilous of childhood rituals: bedtime.
Making bedtime avoidance and delay into a high art, Livi calls upon a number of strategies when her mother informs her that it is time for bed. Assuring readers that she isn’t even remotely sleepy (“Bed is for tired people,” she is quick to point out), she finds creative ways to slow the bedtime process down to a crawl. Suddenly, she’s a tightrope walker, a rocket scientist or even an octopus as the situation demands. When, at long last, an understandably frazzled mom gets her offspring under the sheets, Livi sleeps like an angel. So well, in fact, that her response to her mother’s gentle wake-up call the next morning is to become a hibernating bear. Honestly funny from start to finish, the madcap digital art isn’t afraid to, at times, relinquish the goofy for a truly lovely spread, as with the opening and closing endpapers. Livi achieves precocity without even a hint of saccharine. It’s hard to resist her final wail—“I don’t want to miss anything!”—which reveals what’s really been going on here.
Bed-based procrastination is nothing new, but Livi’s imaginative play takes the experience to an entirely superior level. (Picture book. 3-7)Pub Date: Sept. 17, 2013
ISBN: 978-0-80272-366-6
Page Count: 40
Publisher: Walker
Review Posted Online: June 11, 2013
Kirkus Reviews Issue: July 1, 2013
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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by Abdul-Razak Zachariah ; illustrated by Keturah A. Bobo ‧ RELEASE DATE: July 2, 2019
Vital messages of self-love for darker-skinned children.
On hot summer nights, Amani’s parents permit her to go outside and play in the apartment courtyard, where the breeze is cool and her friends are waiting.
The children jump rope to the sounds of music as it floats through a neighbor’s window, gaze at stars in the night sky, and play hide-and-seek in the moonlight. It is in the moonlight that Amani and her friends are themselves found by the moon, and it illumines the many shades of their skin, which vary from light tan to deep brown. In a world where darkness often evokes ideas of evil or fear, this book is a celebration of things that are dark and beautiful—like a child’s dark skin and the night in which she plays. The lines “Show everyone else how to embrace the night like you. Teach them how to be a night-owning girl like you” are as much an appeal for her to love and appreciate her dark skin as they are the exhortation for Amani to enjoy the night. There is a sense of security that flows throughout this book. The courtyard is safe and homelike. The moon, like an additional parent, seems to be watching the children from the sky. The charming full-bleed illustrations, done in washes of mostly deep blues and greens, make this a wonderful bedtime story.
Vital messages of self-love for darker-skinned children. (Picture book. 3-7)Pub Date: July 2, 2019
ISBN: 978-0-525-55271-0
Page Count: 32
Publisher: Dial Books
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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