Children can expand on the ideas in this slight celebration of weather; strong backmatter will answer their questions.
A group of racially diverse children show their appreciation for the rain in this series entry.
Each book of the I Like the Weather series starts with the title declaration and a statement as to how that weather “speaks” to an unidentified first-person child narrator: “I like the rain— / pitter-patting through the green, / washing all the petals clean, / tapping on my nose and cheeks. / This is how the rain speaks.” The text then goes on to describe the different activities to enjoy in the rain—splashing in puddles, listening to thunder, and seeing a rainbow. The cheery, soft-edged cartoon illustrations depict all this and add details, such as floating a paper boat in a puddle and taking shelter before a storm. While the rhythms are spot-on (and identical) across all four books, the rhymes are looser: sheets with streaks; cushions with oceans. A backmatter spread in each book gives child-appropriate, easy-to-understand science-based answers to four weather-related questions, including: “What are lightning and thunder”; “Why does wind blow?”; “Why does the sun feel hotter in summer?”; and “Why is snow white?” The final question is always “How does the ___ help us?” Few adults are depicted even when children are in or near bodies of water, and two children on a boat wear rain gear but no life jackets. A single scene in I Like the Wind shows a secondary character in a wheelchair; a primary character throughout wears glasses. (This book was reviewed digitally with 7.9-by-15.8-inch double-page spreads viewed at 44.2% of actual size.)
Children can expand on the ideas in this slight celebration of weather; strong backmatter will answer their questions. (Picture book. 3-7)Pub Date: March 8, 2021
ISBN: 978-1-64686-098-2
Page Count: 24
Publisher: Barefoot Books
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
A comical, fresh look at crayons and color.
Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color. (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
SEEN & HEARD
SEEN & HEARD
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