by Sarah Payne Stuart ‧ RELEASE DATE: May 18, 1994
Stuart's enjoyable second novel (after Men in Trouble, 1988) is a lighthearted look at the coming-of-age of two rebellious WASPs. Lizzie Stuart spent her childhood in the liberal intellectual confines of Concord, Mass., ``amid the fires of Women's Liberation, and emerged unsinged.'' Nor did her four years at Harvard turn her into a member of the intelligentsia. (She thinks her new job in the Department of Corrections has something to do with correcting forms.) Lizzie has only two interests in life—men and marriage. Her enthusiasm for the jobs she is offered in bewildering abundance (considering her almost heroic ineptitude) hinges directly on the number of eligible males who work there. Lizzie embarks on an often hilarious romp from job to job and man to man. There's excruciatingly stuffy Hills Todd, ``the most eligible bachelor in Cambridge''; Tom Koch, an intense (married) reporter; and Roger Stoner, who is ``everything she always detested in a guy: athletic, assured, unscrewed up.'' For his part, Roger is charmed by her wacky wit and offbeat style and falls hopelessly in love. Although Roger and Lizzie marry, Roger turns out to be anything but unscrewed up. After an apparently blissful year of marriage, he announces that it's ``just not working out'' and leaves. Nothing in Lizzie's life is that simple, though, or that sad. She and Roger spend the next year on a roller coaster of reconciliation and separation. It's a year of self-discovery, too, as Lizzie learns that she can be successful in a career and survive without love. Roger learns that he has feelings and the power to improve his life. Stuart moves easily from sassy humor to the flat-out good times of youth to a gentle probing of her characters' humanity. An engaging portrait of two young people caught in the unique era when the '60s were ending and the ``Me Decade'' was just getting underway.
Pub Date: May 18, 1994
ISBN: 0-06-017079-4
Page Count: 256
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1994
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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by Paulo Coelho ; translated by Zoë Perry
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