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THE YEAR ROGER WASN'T WELL

Stuart's enjoyable second novel (after Men in Trouble, 1988) is a lighthearted look at the coming-of-age of two rebellious WASPs. Lizzie Stuart spent her childhood in the liberal intellectual confines of Concord, Mass., ``amid the fires of Women's Liberation, and emerged unsinged.'' Nor did her four years at Harvard turn her into a member of the intelligentsia. (She thinks her new job in the Department of Corrections has something to do with correcting forms.) Lizzie has only two interests in life—men and marriage. Her enthusiasm for the jobs she is offered in bewildering abundance (considering her almost heroic ineptitude) hinges directly on the number of eligible males who work there. Lizzie embarks on an often hilarious romp from job to job and man to man. There's excruciatingly stuffy Hills Todd, ``the most eligible bachelor in Cambridge''; Tom Koch, an intense (married) reporter; and Roger Stoner, who is ``everything she always detested in a guy: athletic, assured, unscrewed up.'' For his part, Roger is charmed by her wacky wit and offbeat style and falls hopelessly in love. Although Roger and Lizzie marry, Roger turns out to be anything but unscrewed up. After an apparently blissful year of marriage, he announces that it's ``just not working out'' and leaves. Nothing in Lizzie's life is that simple, though, or that sad. She and Roger spend the next year on a roller coaster of reconciliation and separation. It's a year of self-discovery, too, as Lizzie learns that she can be successful in a career and survive without love. Roger learns that he has feelings and the power to improve his life. Stuart moves easily from sassy humor to the flat-out good times of youth to a gentle probing of her characters' humanity. An engaging portrait of two young people caught in the unique era when the '60s were ending and the ``Me Decade'' was just getting underway.

Pub Date: May 18, 1994

ISBN: 0-06-017079-4

Page Count: 256

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1994

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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