A charming dramedy featuring a promising sleuthing duo.
In this mystery/romance, a woman whose longtime crush just married her sister escapes to her godmother’s crumbling castle in France only to encounter the snarky best man in residence.
New Yorker Merry DeLuca is dreading walking down the aisle. She is a bridesmaid at her sister Angela’s wedding but has been friends with the groom, Leo Fernandes, for years and is secretly in love with him. She was finally going to confess this to Leo when, alas, he met the more beautiful Angela. Further aggravating matters is Leo’s best man, Noah Wright, a famous travel documentarian. A pre-wedding meeting did not go well, with Merry spotting that the guarded, watchful Noah dumped her gift of wine in the trash. At the wedding, stressed-out Merry gets drunk and flirts with Noah, waking up the next day in a hotel room to find him sleeping beside her. She sneaks out and faces further challenges. A human resources mediator, she has to fire a lot of people, and then Angela announces that she’s pregnant. So Merry quits her job and follows her unconventional godmother Jupiter Mountlake’s advice that “you’re allowed to escape if your life is in a trash compactor.” Merry goes to stay at the French countryside chateau that Jupiter purchased. Unfortunately, the place is a dump, and worse, Jupiter rented the chateau to Noah. Amid missteps, Merry and Noah learn to open up to each other and uncover a painting by a renowned missing artist, providing new clues for Noah—the vanished artist turns out to be one of the underlying reasons for Noah’s travels.
Ready has written a tale that deliciously taps into its French trappings. Merry enjoys pungent cheeses and the attentions of a handsome local art gallery owner called—but of course—Pierre. Yet this novel also includes psychological nuances that enrich what could have been simply a rather glossy and superficial story. Lead couple Merry and Noah are sketched out with childhood backstories that explain their wary natures. Even secondary characters Angela and Leo return for their own revealing twists, including one on the Lovers’ Bridge that figures prominently for several reasons in the tale. The mystery weaving through this romance gets overly convoluted at times (What took Noah so long to get to this chateau?). There are also a lot of rather fortuitous, just-in-time entrances by other characters who block Merry and Noah at critical moments. But overall, it’s hard to resist a story with a female hero who reprieves a lobster and realizes that Angela’s appropriation of what Merry first desires is a pattern (“I know that look. It’s the red bike look”). The novel’s final moments, which bring together the characters in an emotionally satisfying way, update the book’s opening scene. Merry and Noah would certainly make for engaging detectives unraveling mysteries in future installments. His roaming adventures could be aided by her mediator skills, which come in handy during a tense moment with Pierre in this tale. Indeed, Ready perhaps hints at this future with Merry’s final note: “Don’t forget to watch his latest episodes, where we travel to all the most romantic locations in the world—the Amalfi Coast is next.”
A charming dramedy featuring a promising sleuthing duo.Pub Date: April 26, 2023
ISBN: 9781954007482
Page Count: 454
Publisher: W.W. Crown
Review Posted Online: Jan. 12, 2023
Kirkus Reviews Issue: March 15, 2023
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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