A light, quirky romance; the body-swap premise provides plenty of fuel for witty one-liners and emotional reckoning.
In Ready’s novel, when a would-be couple decides that they’re just too different to be together, the universe itself forces them to consider another perspective.
In the second installment of the Ghosted series, the author introduces Serena Otaki, who lives a chaotically wonderful life working at the Large Hadron Collider on the border of Switzerland and France while remaining unapologetically single (her true love is physics). But then she meets Henry Joule, a conventional Brit who looks forward to settling down. While their chemistry is palpable, Serena breaks things off after one passionate night together when she makes two horrifying realizations: She’s falling in love with him, and Henry is her new boss. Over a year later, Serena and Henry have settled into largely avoiding each other at work, until one stormy night when lightning strikes the control room and the two experience a cosmic event that somehow makes them swap bodies. From there, plenty of surprises and misunderstandings ensue. After the vegetarian Serena refuses to eat the meat that Henry loves so much (“Eat the sausage. I don’t want to be anemic when I get my body back”) and Henry discovers the wonders of female biology (“Henry is about to experience all the wonderful joys of my menstrual cycle. It should hit tomorrow or the next day, right after he’s had a crying jag, a load of cramps, bloating, and extreme cravings for peanut butter and chocolate”), their squabbling eventually turns into a mutual understanding that paves the way for them to do what they were meant to do the whole time: fall in love.
Serena narrates the vast majority of the novel in a voice that’s warm and funny, often directly addressing the reader. This is an unusual stylistic choice and one that the author pulls off with aplomb. The romance portion of the novel leans more heavily toward the sweet than the sexy, with some cutaway love scenes and one hilarious discussion about erections. From the opening line, when Serena declares that she’s “always believed that things are only impossible until they’re not. For instance: particle physics, space travel, and sex on a tree branch,” readers are given fair warning that the characters (and the plot itself) are filled with whimsy. That’s not to say that Ready doesn’t deliver some emotional punches along the way. As they’re forced to deal with each other’s major family events—including Serena’s mother’s emergency coronary bypass surgery and Henry’s brother’s wedding—the body swap compels them to finally talk to each other in an authentic, profound way. That’s when the novel moves beyond easy physical humor and into an insightful commentary on the impossibility of having it all: “I love too much. I only have room for one great love in my life. I’ve already chosen it. I don’t want to lose my dreams. I don’t want to lose everything for love.” This connection is only deepened when Serena and Henry begin getting flashes of each other’s memories, a phenomenon that urges them to have a reluctant conversation about how they want to move forward if they can’t actually find a way to swap bodies back.
A light, quirky romance; the body-swap premise provides plenty of fuel for witty one-liners and emotional reckoning.Pub Date: Feb. 20, 2024
ISBN: 9781954007703
Page Count: 328
Publisher: W.W. Crown
Review Posted Online: May 22, 2024
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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