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THE SPACE BETWEEN

A touching tale of adult reckonings and reunions with some heart-tugging reversals.

A young performer in a family band and the daughter of an ultrarich New York business mogul fall in love in Ready’s contemporary romance novel.

A young man named Jace Morgan races through New York’s Central Park to try to stop a wedding, sharing an intense look with the bride when he arrives. “I almost can’t reconcile the Andi lying in my arms last night with the Andi standing in the gazebo,” he muses. The narrative then cycles back to Jace at 17 years old, being taunted by Reid Shilling and other rich boys from the private school that he attends on scholarship. The bullies disperse when the fight is broken up by a girl named Andrea Leighton-Hughes, who introduces herself as Andi. The teens hang out and fall in love. Jace plays guitar in a band called the Morgan Brothers with his brothers, Dean and River. His musician parents were the victims of a shooting incident in a Bronx bodega, forcing eldest son Dean to take on construction work to support the family while also trying to score their band gigs. Jace chokes up singing in public, but he is able to relax when he sees Andi at their shows. When the band gets a last-minute job at a charity gala, Jace discovers that Andi is the daughter of Robert Chatham Leighton-Hughes, one of the richest men in Manhattan. She tells him that she is merely a “chess piece” in her family and that she has a particularly cold mother. Andi travels with Jace for months when the band gets a national tour but returns to New York following a shocking betrayal. Andi forms new bonds with both Reid and her mother while Jace contends with fame and family issues. Years later, the lovers reconnect and move forward.

The author has written an entertaining, emotion-laden rich girl–poor boy romance. The novel effectively celebrates and leverages its New York City setting, with several key scenes taking place in Central Park, specifically in Belvedere Castle. Andi’s overbearing family amusingly parallels that of a real-life New York real estate mogul and former president: They live on the top floors of a gilded, garish tower; Andi’s brothers (including a Robert Jr.) vie for attention; and the matriarch is glamorous and enigmatic. Several of the book’s wealthy characters end up inspiring sympathy in ways that are surprising yet satisfying. Adding to the novel’s engaging web of plot twists are moments in which band members commit or confess to some rather grave misdeeds. Some of the periods of estrangement the lovers experience come off as a bit far-fetched, particularly a separation precipitated in part by a letter gone astray. Andi’s motivation for her marriage, however, is developed beautifully by the author to exploit its full potential for pathos. This subplot also allows for a lovely moment of contemplation by the ostensible antagonist, Reid, that provides context for the novel’s title: “And my therapist said that the best way to move through grief is to concentrate on the right now. Not the past, not the future, just this moment right here. That small space between the past and the future. Like the moment between the inhale and the exhale.” A touching tale of adult reckonings and reunions with some heart-tugging reversals.

Pub Date: July 25, 2023

ISBN: 9781954007536

Page Count: 540

Publisher: W.W. Crown

Review Posted Online: March 22, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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