Fans of C.S. Pacat’s graphic series Fence may wish to reenter this world in novel form.
Fencers face a challenge from their coach—learning to work as a team—in this novelized continuation of a sports romance comic series.
Kings Row, once underdogs despite being from an elite Connecticut boarding school with a long history of fencing, have won their first match of the year. Despite their potential, they are failing at bonding as a team. Nationally ranked prodigy Seiji doesn’t know the first thing about making friends. His roommate, Nicholas, a White scholarship student, feels like an outsider surrounded by his wealthy classmates. White playboy Aiden couldn’t care less about anyone on the team except their captain, Harvard, who (according to their coach) needs to learn to prioritize himself once in a while. In the midst of their teamwork training, Harvard awakens to his sexuality, and Aiden battles jealousy to preserve their friendship. Although the romantic subplot includes a contrived scenario of dating lessons, the tension between Harvard and Aiden adds urgency to the story. The queer-affirming bubble of Kings Row drifts between fluffy escapism and realism: While the world imagines a place without hate for queer people, it withholds the same treatment for other differences. Harvard, who is Black, and Seiji, who is Japanese, remark on their experiences with racism. Bullies harass Nicholas for his socio-economic status. After a high-intensity buildup, readers may wish for a clearer resolution of the central romantic drama.
Fans of C.S. Pacat’s graphic series Fence may wish to reenter this world in novel form. (Romance. 14-18)Pub Date: Sept. 29, 2020
ISBN: 978-0-316-45667-8
Page Count: 368
Publisher: Little, Brown
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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