A hot mess of a book but weirdly compelling; buy where the first has eager fans.
Middle-book syndrome strikes hard in this nouveau-gothic paranormal sequel.
Intrepid girl reporter Kami Glass and her allies expect power-hungry sorcerer Rob Lynburn to take revenge after his murderous schemes are thwarted. When a brilliantly creepy Halloween attack is followed by demands for a midwinter human sacrifice, they are left with only weeks to muster their defenses. It’s a promising setup, but the story provides only perfunctory glimpses of intensive historical research, martial arts practice and magical training, devoting chapters instead to relationship angst: friendships tested by unrequited crushes and families riven by lies and divided loyalties. Kami in particular anguishes over both her romantic triangle with the near-identical Lynburn cousins and the magical link with her that both covet. Shifting viewpoints start plot threads that simply disappear, and while the snarky banter is as witty as ever, it sits oddly amid all the interpersonal melodrama and looming danger. The (mostly offstage) villains finally return in a bloody confrontation, with disastrous results only surpassed by the macabre slaughter the supposed good guys inflict on their own side. Everything leads to a gruesome cliffhanger contrived to leave readers desperate for the final volume.
A hot mess of a book but weirdly compelling; buy where the first has eager fans. (Fantasy. 12 & up)Pub Date: Sept. 24, 2013
ISBN: 978-0-375-87042-2
Page Count: 368
Publisher: Random House
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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