Schulman offers, with mixed success, a sprawling exploration of New York nostalgia, police brutality, addiction memoir, and...
An ex-cop and ex-junkie tries to turn her life around and, in the process, stumbles into investigating a murder.
Maggie Terry has hit rock bottom. She’s just out of rehab; her ex-girlfriend and their daughter are long gone. She’s starting a new job in a law office after a beloved career with the NYPD went up in flames. And worst of all, Donald Trump’s been elected president. On the first day of Maggie’s new gig, famous actress Lucy Horne visits the attorney Maggie works for and asks his office to discreetly investigate the murder of a fellow thespian—she points them toward a potential suspect, Steven Brinkley, a famous novelist. But Maggie’s struggling to hold it together, bouncing from Narcotics Anonymous meetings to spying on her ex to roaming the city, struggling to understand what’s happened to it—and the country—in the years she’s been distracted by addiction. Will she be able to stay sober? Work successfully with her new professional partner? Win back her family? And, on top of it all, catch a killer? Schulman (The Cosmopolitans, 2016, etc.) has written a free-wheeling novel that must surely be one of the first to juxtapose Trump-era politics with whodunit, and Maggie’s political ramblings, about everything from Black Lives Matter to gentrification, are as central to the novel as the case at its heart. But even though most of Schulman's readers will likely agree with the politics here, Maggie still seems more a platform than a protagonist; her character never quite coheres. After all, how realistic is a 21st-century New Yorker who doesn’t own a cellphone or know how to use the internet?
Schulman offers, with mixed success, a sprawling exploration of New York nostalgia, police brutality, addiction memoir, and queer love, with a mystery as the cherry on top.Pub Date: Sept. 11, 2018
ISBN: 978-1-936932-39-9
Page Count: 280
Publisher: Feminist Press
Review Posted Online: July 1, 2018
Kirkus Reviews Issue: July 15, 2018
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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