The collage effect does not always serve the narrative well, but Sentilles offers plenty of facts and stories worth reading.
A sometimes-scattered though always lyrical meditation on art and artists as witnesses to war, terror, and other dark hallmarks of our time.
Imagine that the late Uruguayan writer Eduardo Galeano—quoted at points here—had taken an interest in art and its way of interpreting and resisting history, and you have at least a flavor for Sentilles’ (Breaking Up with God, 2011, etc.) essayistic approach to some of the horrors of our time. Working through the art of one of her students, who had been stationed at Abu Ghraib, and through a conscientious objector in World War II who had been painting since youth, the author delivers small, apothegmatic pieces that sometimes approach prose poems and sometimes fit rather loosely in the narrative frame. While the statement “seventy percent of the earth is covered by water—our bodies made of nearly the same percentage” is surely true, it doesn’t add materially to how we understand the form of torture known as waterboarding, the larger issue under discussion. Sometimes the author’s refractive approach works very nicely, though, as when she observes that Stradivarius’ violins were made from defective wood sold by the Turks to their sometime enemies, the Venetians, an example of art rising from war, albeit an indirect one. It is also worth remembering, as she does, that U.N. officials covered up a tapestry reproduction of Picasso’s Guernica, on display at that body’s headquarters, before Colin Powell delivered a speech making a case for war on Iraq in 2003. That war is destructive and displacing is well-known; that it yields accidental moments of beauty is, too, but Sentilles has a good eye for those arresting glints, for oddments such as the fact that the Japanese-American internment camp at Manzanar, California, was, in 1942, “the largest city between Los Angeles and Reno.”
The collage effect does not always serve the narrative well, but Sentilles offers plenty of facts and stories worth reading.Pub Date: July 4, 2017
ISBN: 978-0-399-59034-4
Page Count: 320
Publisher: Random House
Review Posted Online: May 1, 2017
Kirkus Reviews Issue: May 15, 2017
BOOK REVIEW
BOOK REVIEW
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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