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BONE OF THE BONE

ESSAYS ON AMERICA BY A DAUGHTER OF THE WORKING CLASS

This powerful reckoning with the costs of being poor should be required short-form nonfiction reading.

The author of Heartland returns with a collection of pieces that illuminate the plights and humanity of her working-class subjects.

“The White, rural, working-poor people about whom I most often write—they are your people too,” writes Smarsh in the introduction to this compendium of 36 essays, the majority of which originally appeared in a range of publications. The author possesses a distinct style, one simultaneously personal and political, with the aim of navigating “the space where storytelling might be at once factual in content and artistic in form.” In her essays, which range from two to 18 pages, she makes frequent references to her own experiences. “I am bone of the bone of them that live in trailer parks,” she writes in a 2014 essay about “the teeth of poor folk,” which criticizes America’s costly dental care system and humanizes those who are unable to afford treatment. She calls for the American dream “to put its money where its mouth is” with different laws and “individual awareness of the judgments we pass on people.” Another essay describes Smarsh’s brother, a first-generation college graduate who “had no connections in the professional world, and no one to tell him that communications and history degrees were bad bets to begin with.” As she recounts, he regularly sold his plasma over the course of a decade to make ends meet. In a piece about growing wheat in Kansas, the author writes, “The greater divide in America today is not between red and blue but between what is discussed in powerful rooms and what is understood in the field.” Even though these essays were shaped by more than a dozen editors, this collection’s impact is staggering, and Smarsh’s voice is constant, studied, and compassionate.

This powerful reckoning with the costs of being poor should be required short-form nonfiction reading.

Pub Date: Sept. 10, 2024

ISBN: 9781668055601

Page Count: 352

Publisher: Scribner

Review Posted Online: May 30, 2024

Kirkus Reviews Issue: July 1, 2024

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STAND

A hopeful civic sermon favoring inspiration over concrete prescriptions.

A New Jersey senator’s moral manifesto.

Booker situates his narrative in the wake of his 2025 record-breaking 25-hour stand on the Senate floor, an act of physical endurance and moral insistence that serves as its animating example. Though not framed as memoir, the episode implicitly positions Booker himself as a model of the virtues he argues are essential to democratic life. Organized around 10 qualities, including agency, vulnerability, truth, perseverance, and grace, the book advances a clear thesis. “In this book, I argue that many Americans who came before us, and many among us today, have consistently proven that virtues are practical: They expand our power, deepen our sense of belonging, and equip us to endure and ultimately prevail.” Booker illustrates this claim through figures such as the late U.S. Rep. John Lewis, whose willingness to endure sacrifice for principle anchors the book’s moral lineage, and Supreme Court Justice Ketanji Brown Jackson, whose composure under public scrutiny is presented as an example of dignity as civic strength. These portraits reinforce Booker’s belief that character, sustained over time, can shape public life, even when political outcomes remain uncertain or incomplete. He supplements these examples with personal stories drawn from family, faith, and community, delivered with emotional conviction and a tone that remains affirming and carefully calibrated. Much of the narrative reads like an expansive commencement address, earnest and reassuring, offering moral affirmation at moments when readers might reasonably expect sharper confrontation. That rhetorical choice ultimately defines the book’s limits. Booker acknowledges political conflict and compromise, but rarely examines them in depth, and while urging leaders to take moral risks, he avoids sustained reflection on how some of his own political decisions have tested the virtues he promotes. The result is a principled but self-conscious work that affirms shared values while offering little guidance for navigating power and accountability.

A hopeful civic sermon favoring inspiration over concrete prescriptions.

Pub Date: March 24, 2026

ISBN: 9781250436733

Page Count: 272

Publisher: St. Martin's

Review Posted Online: March 24, 2026

Kirkus Reviews Issue: March 15, 2026

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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