Each chapter renders a story complete, and the stories together weave a deeply mined narrative of place and people, elegiac...
Minnesota author Stonich (The Ice Chorus, 2005, etc.) draws a novel from 15 linked north-country stories.
Naledi Lodge on Little Hatchet Lake is a now-faded Minnesota summer resort, a place of "water in all its incarnations—stream, swamp, puddle, or lake." Czech immigrant Vaclav Machutova ran the resort in its heyday. His orphaned granddaughter, Meg, spent summers there and winters in Chicago boarding schools. Stonich’s lake-connected stories move through time from Meg’s childhood onward, each story/chapter linked to Naledi Lodge like spokes to a hub. The book opens with adult Meg, a prominent artist, sketching a portfolio of a severed human hand brought home by her treasured wolflike dog. Then an advertising executive remembers a dalliance, a Lolita-like seduction. Adult sisters confront a euthanasia pact made after their mother’s lingering death. A Balkan refugee, unable to penetrate the insular Scandinavian community, reconciles his isolation on the lake’s quiet waters. Meg’s citified gay cousin delivers Meg’s mother’s ashes and discovers a connection to family and place. One of the more affecting reoccurring characters is Ursa Olson, Vac’s contemporary sometime-lover and a woman who prefers the hardy simplicity imposed by the inhospitable land. Ursa, defiant and self-reliant as her children plot to shift her from her cabin, finds comfort in one of Vac’s lost journals. Readers also encounter a giant bull moose, deer silently drifting in a glade and empathetic characters—all rendered with compassionate insight and a gift for artful observation—including Polly, surrogate grandmother and science professor turned novelist; Alpo, trimming away at grief in topiary; one-dimensional Magda, who left Vac for a Third Reich functionary; Meg’s father, Tomas, plunging to his death with his pregnant wife as an airplane crashes, "We will die, yes, but it’ll be all right."
Each chapter renders a story complete, and the stories together weave a deeply mined narrative of place and people, elegiac yet life-affirming.Pub Date: April 1, 2013
ISBN: 978-0-816687664
Page Count: 288
Publisher: Univ. of Minnesota
Review Posted Online: Feb. 2, 2013
Kirkus Reviews Issue: Feb. 15, 2013
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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