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RADIO ON

Name: RADIO ON
Author: Sarah Vowell
ISBN: 0-312-14712-0

A LISTENER'S DIARY

by Sarah Vowell ‧ RELEASE DATE: Jan. 2, 1997

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Be ready to hit the scan button repeatedly with this wildly uneven, day-by-day-by-day diary of a year—1995—spent listening to the radio. Like strip malls and superhighways, radio has become such an integral part of the American landscape that we rarely notice its sheer ubiquity. Between our houses, our cars, our offices, even our elevators, there are more than 500,000,000 radios in this country, all spewing a 24-hour-a-day hodgepodge of everything from rock to religion to right-wing ranting. Any account of this vast cacophony is necessarily subjective, but Vowell, a music columnist for San Francisco Weekly, spices her impressionistic stew with unhealthy dollops of narcissism and jejune banality: ``I only conceived this diary as a means to say that I'm just as confused and overwhelmed as my elders, just as ill-informed and worried and perplexed and lacking in answers (but willing to look) as people twice my age.'' In these limited terms, the book is a roaring success. As Vowell spins her way around the country, tuning in to the local radio stations, she reacts like the perfect poster girl for Generation X: I mean, don't you just hate Rush Limbaugh and Newt Gingrich and all those mean Republicans? And how about National Public Radio, isn't it, totally nonadventurous and establishment? And doesn't Top-Forty completely bite? What little wisdom there is to be found in this landscape apparently comes mainly from grungy Seattle rockers like Nirvana and Pearl Jam (those who believe that truth resides in rock lyrics will be particularly taken with this book). By the end, Vowell is justly sick and tired of radio, of the noise and chatter, the hate and spew and ``all the stupidity.'' Unfortunately, one of those rare books in which subject and author are in near-perfect harmony.

Pub Date: Jan. 2, 1997

ISBN: 0-312-14712-0

Page Count: 256

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
LAFAYETTE IN THE SOMEWHAT UNITED STATES
by Sarah Vowell

- BOOK REVIEW
UNFAMILIAR FISHES
by Sarah Vowell

- BOOK REVIEW
THE WORDY SHIPMATES
by Sarah Vowell

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.