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TAKE THE CANNOLI

STORIES FROM THE NEW WORLD

perfect delivery.

Broadcaster and columnist Vowell (Radio On: A Listener's Diary, 1998) presents a wonderfully eclectic mix of smart-witted,

often hilarious personal essays. For every reference Vowell makes to The Great Gatsby, Huck Finn, or the Book of Revelations (three of her favorites), she quotes a combination of Sinatra, Elvis, Springsteen, and Johnny Cash a dozen times, resulting in refreshing writing with attitude. Throughout, Vowell's passion for music, sound, and rhythm are manifested in her words and her topics, whether firing a cannon with dad or making a mix tape for a friend's girlfriend. Many of the stylish essays are "on assignment" accounts, in which Vowell allows herself to be dressed up for a night of goth clubbing, attends Rock 'n' Roll Fantasy Camp, checks into the grimy and ghostly Chelsea Hotel, and tries to learn to drive at 28. Her title track, "Take the Cannoli," is not about music, but takes its namesake from a sound byte in The Godfather—a film Vowell obsessed over when in college. The film's "made-up, sexist East Coast thugs" taught Vowell a valuable lesson about family, guns, and dessert. But not everything is sugar-coated in Vowell's world: she claims that "even as a six-year-old I knew I'd never be good enough to get into heaven," and she recounts whining her way through Disney World in "Species-on-Species Abuse." She gets cranky and sardonic, but at these moments her talent may shine brightest. In "Dark Circles," Vowell, coffee in hand, comes to grips with her insomnia: lying awake in bed, she recalls her day, arriving at the less-than-soporific conclusion that "everyday, no matter how cheerful, how innocuous, always contains within it some little speed bump of anger or hate, some wrong place, wrong time, hell-is-other-people moment of despair. Nighty night." Vowell's crafty writing, often free-spirited and sometimes neurotic, is like literary stand-up comedy with a lot of heart and

perfect delivery.

Pub Date: April 6, 2000

ISBN: 0-684-86797-4

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2000

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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