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TAKE THE CANNOLI

STORIES FROM THE NEW WORLD

perfect delivery.

Broadcaster and columnist Vowell (Radio On: A Listener's Diary, 1998) presents a wonderfully eclectic mix of smart-witted,

often hilarious personal essays. For every reference Vowell makes to The Great Gatsby, Huck Finn, or the Book of Revelations (three of her favorites), she quotes a combination of Sinatra, Elvis, Springsteen, and Johnny Cash a dozen times, resulting in refreshing writing with attitude. Throughout, Vowell's passion for music, sound, and rhythm are manifested in her words and her topics, whether firing a cannon with dad or making a mix tape for a friend's girlfriend. Many of the stylish essays are "on assignment" accounts, in which Vowell allows herself to be dressed up for a night of goth clubbing, attends Rock 'n' Roll Fantasy Camp, checks into the grimy and ghostly Chelsea Hotel, and tries to learn to drive at 28. Her title track, "Take the Cannoli," is not about music, but takes its namesake from a sound byte in The Godfather—a film Vowell obsessed over when in college. The film's "made-up, sexist East Coast thugs" taught Vowell a valuable lesson about family, guns, and dessert. But not everything is sugar-coated in Vowell's world: she claims that "even as a six-year-old I knew I'd never be good enough to get into heaven," and she recounts whining her way through Disney World in "Species-on-Species Abuse." She gets cranky and sardonic, but at these moments her talent may shine brightest. In "Dark Circles," Vowell, coffee in hand, comes to grips with her insomnia: lying awake in bed, she recalls her day, arriving at the less-than-soporific conclusion that "everyday, no matter how cheerful, how innocuous, always contains within it some little speed bump of anger or hate, some wrong place, wrong time, hell-is-other-people moment of despair. Nighty night." Vowell's crafty writing, often free-spirited and sometimes neurotic, is like literary stand-up comedy with a lot of heart and

perfect delivery.

Pub Date: April 6, 2000

ISBN: 0-684-86797-4

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2000

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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