by Sarah Waters ‧ RELEASE DATE: June 5, 2000
Waters has found a superb metaphor for the love that dares not speak its name, and developed it with remarkable ingenuity...
This ambitious second novel, a richly detailed exploration of the mysterious ‘affinity’ that appears to unite two lonely women, boldly extends the range of the British writer (Tipping the Velvet, 1999).
The dominant “world” is London's Millbank Women's Prison, to which highborn Margaret Prior comes in 1874, as a “Lady Visitor” offering solace and companionship to Millbank's wretched inhabitants. This is intended as therapy, for Margaret has recently attempted suicide—an act presumed to stem from the recent death of her father (a respected Renaissance scholar), but is in fact connected to a disappointment in love. At Millbank, Margaret is drawn to the vibrant figure of Selina Dawes, a “spirit medium” blamed for the death of a client during a séance. The developing closeness between the two women—intensified by evidence that Selina is telepathically sending ‘tokens’ of her affection to Margaret's home—is juxtaposed with flashback scenes that gradually disclose the truth about Selina's supposed powers (especially as embodied in the visitant she claims is her collaborator, seductive “Peter Quick”—in a knowing nod to Henry James's The Turn of the Screw). Waters has researched her mood-drenched Victorian gothic quite impressively (down to such convincing minutiae as this injunction to search all prison visitors: “Infants may be taught to pass on blades, in their very kisses”). And the long denouement, in which Margaret, having risked everything, awaits the fulfillment of Selina's promise that stone walls do not a prison make (“You need only want me, and I will come”), grates exquisitely on the reader's nerves, right up to its brilliant climax—in the revelatory image of a “mud-brown gown . . . and a maid’s black frock . . . tangled together, like sleeping lovers.”
Waters has found a superb metaphor for the love that dares not speak its name, and developed it with remarkable ingenuity and power: another stunning performance by a young writer whose promise seems just about unlimited.Pub Date: June 5, 2000
ISBN: 1-57322-156-X
Page Count: 368
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2000
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by C.J. Box ‧ RELEASE DATE: July 28, 2015
A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be...
Box takes another break from his highly successful Joe Pickett series (Stone Cold, 2014, etc.) for a stand-alone about a police detective, a developmentally delayed boy, and a package everyone in North Dakota wants to grab.
Cassandra Dewell can’t leave Montana’s Lewis and Clark County fast enough for her new job as chief investigator for Jon Kirkbride, sheriff of Bakken County. She leaves behind no memories worth keeping: her husband is dead, her boss has made no bones about disliking her, and she’s looking forward to new responsibilities and the higher salary underwritten by North Dakota’s sudden oil boom. But Bakken County has its own issues. For one thing, it’s cold—a whole lot colder than the coldest weather Cassie’s ever imagined. For another, the job she turns out to have been hired for—leading an investigation her new boss doesn’t feel he can entrust to his own force—makes her queasy. The biggest problem, though, is one she doesn’t know about until it slaps her in the face. A fatal car accident that was anything but accidental has jarred loose a stash of methamphetamines and cash that’s become the center of a battle between the Sons of Freedom, Bakken County’s traditional drug sellers, and MS-13, the Salvadorian upstarts who are muscling in on their territory. It’s a setup that leaves scant room for law enforcement officers or for Kyle Westergaard, the 12-year-old paperboy damaged since birth by fetal alcohol syndrome, who’s walked away from the wreck with a prize all too many people would kill for.
A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be welcome to return and tie up the gaping loose end Box leaves. The unrelenting cold makes this the perfect beach read.Pub Date: July 28, 2015
ISBN: 978-0-312-58321-7
Page Count: 272
Publisher: Minotaur
Review Posted Online: April 21, 2015
Kirkus Reviews Issue: May 15, 2015
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