A sweet story that shows all you need is soof.
Fans of Weeks’ So B. It (2004) will recognize this companion book’s title as Heidi It’s intellectually disabled mother’s word for love.
Twelve-year-old narrator-protagonist Aurora Franklin, the biological daughter of the couple who fostered Heidi before Aurora was born, has grown up hearing about Heidi and her good luck. Her parents—Mom especially—credit this good luck with giving them Aurora. Sadly, Mom’s love for Heidi has instilled feelings of inadequacy in Aurora, who believes her mother wishes she were more like Heidi. Aurora has always been different. She speaks a made-up language called Beepish, prefers the company of adults to that of children, and wears her T-shirts inside out because of the bothersome tags. Mom was 48 when Aurora was born, resulting in anxiety for her daughter’s well-being. She sought desperately for a diagnosis, but doctors ruled out autism spectrum disorder, concluding that “quirky” Aurora simply marches to her own beat. A now-grown and pregnant Heidi’s impending visit triggers tension between Aurora and her mother, and Aurora is determined not to be nice to Heidi. Will she learn there’s “soof” enough for them both? Aurora is complex, simultaneously eliciting sympathy and exasperation. She’s blunt, bordering on rude, but her heartache at losing her dog, her only friend, is palpable. Knowledge of the previous book isn’t a prerequisite. The book adheres to the white default.
A sweet story that shows all you need is soof. (Fiction. 8-13)Pub Date: Oct. 9, 2018
ISBN: 978-0-545-84665-3
Page Count: 208
Publisher: Scholastic
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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BOOK REVIEW
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BOOK TO SCREEN
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