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BAD LUCK GIRL

From the American Fairy Trilogy series , Vol. 3

Callie and Zettel bring this stellar trilogy to a satisfyingly sentimental conclusion

Calliope Margaret LeRoux deMinuit, half-human and half-Unseelie, Heir to the Midnight Throne, can save or destroy all of fairykind.

Now that Callie and best friend Jack have rescued Callie’s parents, everything’s going to be just fine, right? Jack, Callie and her parents reach Depression-era Chicago, struggling against dangers both magical (cold iron, which has a worse effect on Callie’s Unseelie father, Daniel LeRoux, than on half-fairy Callie) and mundane (the racism of Jim Crow, which endangers dark-skinned Daniel more than light-skinned, half-white Callie). After all the time she and Jack have spent fighting to escape the Seelie and Unseelie courts while rescuing Callie’s folks, she’s confident and independent. But her father is ancient, powerful and protective; Callie hates how Daniel’s “ordering [her] around like a little kid.” Zettel beautifully places this age-old generational conflict into her distinctive world. Callie and Jack want to help the Halfers, half-fairy elemental creatures composed of paper, electricity and other urban magics; Daniel calls them “Undone” and orders Callie to stay far away from the strange magic he despises. Ultimately, all the powers that be want to use Callie’s magic to win the war for their side, and nobody cares what happens to Callie, Jack or the Halfers, raising the stakes to frighteningly high levels.

Callie and Zettel bring this stellar trilogy to a satisfyingly sentimental conclusion . (Fantasy. 12-14)

Pub Date: May 27, 2014

ISBN: 978-0-375-86940-2

Page Count: 368

Publisher: Random House

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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THE GIRL OF FIRE AND THORNS

From the Girl of Fire and Thorns series , Vol. 1

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...

Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.

Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)

Pub Date: Sept. 1, 2011

ISBN: 978-0-06-202648-4

Page Count: 432

Publisher: Greenwillow Books

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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MAPPING THE BONES

Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.

A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).

Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.

Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)

Pub Date: March 6, 2018

ISBN: 978-0-399-25778-0

Page Count: 432

Publisher: Philomel

Review Posted Online: Dec. 20, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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