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GROWN WOMEN

A vivid line of women inches toward a place where it isn’t always the mother’s fault.

Four generations of Black American women navigate the peril and love of the mother-daughter bond.

This absorbing debut begins in a Tennessee delivery room and ends with a funeral. At the start, a teenage mother, recently fled from a posh Atlanta home, watches her newborn wail but doesn’t comfort her. “‘It will get easier,’ the nurse said, but Charlotte knew that it wouldn’t.” Already cynical, Charlotte isn’t wrong—she has a cocaine habit by page 10—but she isn’t completely right, either. The story takes a lively tour of the complexities of family and most especially the sins of Charlotte’s mother, a frosty academic, Dr. Evelyn Gwendolyn Jackson. She makes her first appearance in the life of her unaware granddaughter, Corrina, as a TV talking head. Charlotte drinks, fights, dwells in poverty, ever determined to bury the tie. But when Corrina, still in high school, gives birth to her own daughter, Camille, the baby represents a chance to do better for three generations of tough, traumatized women. This is not a subtle book—“Corinna’s shoulders dropped so heavily with relief that Charlotte thought her arms might dislocate and fall right to the floor”—but it moves briskly. It is wise to class markers and human contradiction. The women are awash in alcohol, but function; pummeled by violence, but still rise. The men are peripheral, and more surprisingly, so is church. Called to restart yet again, Charlotte reflects, “That’s something people liked to say. ‘We owe it to our ancestors.’ But perhaps she owed it just as much, if not more, to her descendants.”

A vivid line of women inches toward a place where it isn’t always the mother’s fault.

Pub Date: July 9, 2024

ISBN: 9780063294431

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: April 19, 2024

Kirkus Reviews Issue: May 15, 2024

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE LIFE IMPOSSIBLE

Haig’s positive message will keep his fans happy.

A British widow travels to Ibiza and learns that it’s never too late to have a happy life.

In a world that seems to be getting more unstable by the moment, Haig’s novels are a steady ship in rough seas, offering a much-needed positive message. In works like the bestselling The Midnight Library (2020), he reminds us that finding out what you truly love and where you belong in the universe are the foundations of building a better existence. His latest book continues this upbeat messaging, albeit in a somewhat repetitive and facile way. Retired British schoolteacher Grace Winters discovers that an old acquaintance has died and left her a ramshackle home in Ibiza. A widow who lost her only child years earlier, Grace is at first reluctant to visit the house, because, at 72, she more or less believes her chance for happiness is over—but when she rouses herself to travel to the island, she discovers the opposite is true. A mystery surrounds her friend’s death involving a roguish islander, his activist daughter, an internationally famous DJ, and a strange glow in the sea that acts as a powerful life force and upends Grace’s ideas of how the cosmos works. Framed as a response to a former student’s email, the narrative follows Grace’s journey from skeptic (she was a math teacher, after all) to believer in the possibility of magic as she learns to move on from the past. Her transformation is the book’s main conflict, aside from a protest against an evil developer intent on destroying Ibiza’s natural beauty. The outcome is never in doubt, and though the story often feels stretched to the limit—this novel could have easily been a novella—the author’s insistence on the power of connection to change lives comes through loud and clear.

Haig’s positive message will keep his fans happy.

Pub Date: Sept. 3, 2024

ISBN: 9780593489277

Page Count: 368

Publisher: Viking

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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