by Sarai Koo ‧ RELEASE DATE: June 28, 2019
A compelling and often funny account of growing up in one of America’s Korean enclaves.
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A writer shares anecdotes from her youth in Los Angeles County’s Korean American community in this debut memoir.
The child of South Korean immigrants, Koo, along with her siblings, was forced to abide by certain traditional customs when she was growing up. This included respecting elders, like her grandmother, even when their behavior was somewhat bizarre: “Without our permission, my dad’s mom rampaged through our house with a pair of silver shears, grabbing and cutting pieces of our clothing, big blankets, and any available patches of fabric….She took those pieces of old and new fabric to make oddly-patched small pillow covers.” Sometimes this traditional Korean worldview was shocked by the reality of the family’s American surroundings: Koo’s father’s first gas station was on Crenshaw Boulevard in South Central LA, and a few months after he sold it, the building was set on fire during the city’s riots in 1992. But there was no shortage of other Koreans in LA County, and Koo’s childhood was an often hilarious clash between her American-born peers and her parents’ immigrant generation. At the center of it all, there was always a table laden with traditional food: jeon, bibimbap, banchan, bulgogi, and even the Korean adaptation of the American hamburger (or hambegeo, as the author’s mother called it). Koo’s prose is conversational and amusing, managing to make both Korean and American cultures appear simultaneously alien and familiar: “Ken had long bangs that dangled to the sides of his chin. He was a young eleventh grade ‘wangsta,’ a wannabe gangsta, who wore baggy clothes….He often went to noraebangs to drink, smoke, and sing the latest Korean songs with his fellow wangsta friends, and sometimes he got into trouble.” The book is a thoroughly enjoyable coming-of-age tale of a somewhat precocious girl finding her way in a particularly loud and chaotic environment where the old and the new rested side by side and not always comfortably. Additionally, the work captures a specific time and place in the history of LA and the so-called “Third Wave” of immigration to the United States.
A compelling and often funny account of growing up in one of America’s Korean enclaves.Pub Date: June 28, 2019
ISBN: 978-0-9907750-1-0
Page Count: 202
Publisher: SPICES Publications
Review Posted Online: Dec. 11, 2019
Kirkus Reviews Issue: Feb. 1, 2020
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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