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CINDER-NANNY

A serviceable contemporary fairy tale.

A nanny loses her shoe and attracts an earl instead of a prince.

Diana Parker has sworn she’ll never tell lies again. After a dysfunctional childhood with her mother, a con artist, she and her sister have promised to abandon the dishonest skills that allowed them to survive. That changes overnight when her sister becomes sick and needs a kidney transplant, though; Diana tells a whole pack of untruths in order to get an elite nannying gig, selling herself to an affluent couple as fluent in French, an accomplished skier, a child development expert, and more. Feeling guilty as she flies out to the short-term job, she commits to doing her best work in order to help her sister and then returning to the comforts of home and truth-telling. But she’s not the only babysitter in Aspen; Griffin Windsor, Earl of Strathorne, is also there, watching his niece. When they meet by chance at a charity ball, he’s instinctively smitten with Diana, while her instinct is to keep him at a distance so she can focus on being the nanny she promised to be. But when their two young charges, both delightfully odd in their own ways, become friends, Griffin has ample chances to win Diana over, and he soon does. Though Wilson’s “Cinderella”-inspired story has many charming moments, any time the plot gets close to a meaningful conflict, it is resolved almost immediately, making the narrative energy a bit flat. Along the same lines, Griffin’s aristocratic charms and complete perfection are wish fulfillment but dull, though Diana’s inner struggles give some extra depth to her character. Diana and Griffin’s slow-burn closed-door passion is authentic, and the book might appeal to readers who love a “Cinderella” story.

A serviceable contemporary fairy tale.

Pub Date: June 21, 2022

ISBN: 978-1-5420-3058-8

Page Count: 330

Publisher: Montlake Romance

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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JUST FOR THE SUMMER

A wallowing, emotionally wrenching family drama that leaves little time for romance.

Two people with bad luck in relationships find each other through a popular Reddit thread.

Emma Grant and her best friend, Maddy, are travel nurses, working at hospitals for three-month stints while they see the country. Just a few weeks before they’re set to move to Hawaii, Emma reads a popular “Am I the Asshole” Reddit thread from a Minnesota man who thinks he’s cursed—women he dates find their soulmates after breaking up with him, and the latest one found true love with his best friend! Emma has had a similar experience, which inspires her to DM the man and commiserate. She’s delighted by her witty, lively interactions with software engineer Justin Dahl, and is intrigued when he suggests that if they date each other, maybe they’ll each find their soulmate afterward. Emma upends the Hawaii plan and convinces Maddy to move to Minneapolis for the summer so she can meet Justin in person. The overly complex setup brings Emma and Justin together and the two hit it off, with Justin immediately falling head over heels for Emma. Jimenez then pivots to creating romantic roadblocks and melodramatic subplots centering on each character’s family of origin. Justin’s mother is about to serve six years in prison for embezzlement, which means Justin must move back home to care for his three much younger siblings. Emma was traumatized by her own mother for much of her childhood, left to fend for herself and eventually abandoned in the foster system. When her mother shows up in Minnesota, Emma must face her traumatic childhood and admit that she has prioritized her mother’s well-being over her own. There is little time devoted to Emma’s painful efforts to heal herself enough to accept Justin’s love, which leaves the novel feeling unsatisfying.

A wallowing, emotionally wrenching family drama that leaves little time for romance.

Pub Date: April 2, 2024

ISBN: 9781538704431

Page Count: 432

Publisher: Forever

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 15, 2024

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