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THREE DAY SUMMER

A positive portrait of a much-maligned era, this optimistic, exuberant tale is recommended for readers who’ve wondered why...

Two teens find the 1969 Woodstock music festival a life-changing event.

Michael, 18, knows what he doesn’t want—to go to college or be drafted to fight in Vietnam—it’s what he wants that confuses him, and would-be doctor Cora, 17, ponders transgressing cultural expectations for girls. Overcoming their inauspicious meeting in the medical tent, the two are drawn together—along with plenty of baggage. Michael drags his feet on breaking up with his hypercritical girlfriend. Cora longs to get over paternalistic Ned, who’s broken up with her. Michael’s passionate about music but feels like a slacker. Country girl Cora, unlike her brothers, has a nightly curfew and feels torn between her conservative father—proud veteran of two wars—and her anti-war siblings, one fighting in Vietnam. Not all that goes down is benign, but this is no cautionary fable. Sex, drugs, and rock ’n’ roll unapologetically prevail amid the muddy chaos, where strangers feed one another, concertgoers stand in line for hours to use the payphone, and iconic musicians play generational anthems. Against a turbulent backdrop of war, divisive social change, and awful weather, half a million people celebrated peace, love, and music together. Woodstock remains a resonant cultural marker, documenting the brief triumph of hope over experience, and Tash takes ample advantage of the moment.

A positive portrait of a much-maligned era, this optimistic, exuberant tale is recommended for readers who’ve wondered why the ’60s were so great. (Historical fiction. 12-18)

Pub Date: May 19, 2015

ISBN: 978-1-4814-3931-2

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: March 2, 2015

Kirkus Reviews Issue: March 15, 2015

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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