An epic tale that contains multitudes.
In this follow-up to City of the Plague God (2021), 14-year-old Iraqi American Sikander Aziz and friends find the tablet of destinies and encounter a god who intends to use it to destroy the world.
Visiting London accompanied by Rabisu, a demon and social media influencer with an appetite for the unsavory, Sik meets up with his late brother Mo’s friend Daoud, a former deli employee–turned–international supermodel. He’s also reunited with warrior Belet, daughter of the goddess Ishtar, who uses Daoud’s fame to access an auction of priceless looted antiquities in search of the tablet of destinies once owned by Cleopatra and Saladin. Malevolent deity Lugal, seeking the same treasure, disrupts the auction—but not before Sik manages to inadvertently use it to bring Mo back to life, reshaping the timeline of events at devastating cost. Lugal’s later theft of the tablet results in continued alterations of time, with the ultimate goal of resurrecting Tiamat, the primordial dragon goddess of chaos, with world-ending consequences. Chadda excels in this action-packed adventure peppered with scenes examining Western theft of cultural artifacts, xenophobia, and Islamophobia and grounded in emotional depth and tenderness for humanity. Arabic words and Islamic concepts, terminology, phrases, and practices are effortlessly included throughout. In this novel centering Muslim characters—the Aziz family and Daoud—Chadda delicately reconciles the fundamental Muslim belief in one God with the presence of Mesopotamian deities.
An epic tale that contains multitudes. (glossary) (Fantasy. 10-14)Pub Date: Aug. 1, 2023
ISBN: 9781368081825
Page Count: 384
Publisher: Rick Riordan Presents/Disney
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
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