An experimental novel spanning continents as well as generations explores the intertwining of family, gender, and identity.
A woman searches for her twin—and herself—while recounting her family history in the Soviet Union and West Germany.
Alissa, or Ali, was a child when she emigrated with her family from the Soviet Union to West Germany. She and her twin, Anton, traveled with their parents and grandfather by train. Years later, Anton disappears, a blank postcard mailed from Istanbul the only clue to his whereabouts. So Ali goes to Istanbul. Her stay in the city more or less bookends this strange, fascinating first novel by Salzmann, a prolific writer of essays and plays and the founder of a small magazine, among other things, in their native Berlin. The meat of the book traces Ali and Anton’s family history, from their parents to their grandparents and great-grandparents, on either side. Theirs is a Jewish family, but the fact that they’re largely secular doesn’t protect them from rising anti-Semitism in the USSR, especially after Stalin’s death in 1953. Meanwhile, Ali slinks through contemporary Istanbul, nominally searching for Anton as her identity, particularly her gender, begins to disintegrate—or to open up, depending on your perspective. Ali’s own perspective isn’t entirely intelligible. This is partly due to Salzmann’s cool, disaffected narrative voice, which is a wonder to behold but can also be a little too distancing: Anton never solidifies as a fully fledged character, and neither does the twins’ father, to whom much of their unhappiness is attributed. Still, these are relatively minor flaws. Salzmann has an expansive vision, and their experimentation with the form of the novel, even when it doesn’t always pan out, consistently intrigues.
An experimental novel spanning continents as well as generations explores the intertwining of family, gender, and identity.Pub Date: Feb. 18, 2020
ISBN: 978-1-89274-644-3
Page Count: 336
Publisher: Other Press
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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