There is not enough humor, emotion, action or conflict, nor are there sufficient details for children to notice in the...
Decorative design? Yes. Scintillating story? Not so much.
The small trim size (6 inches by 8 inches) makes a slightly larger-than–life-sized carrot seem very big indeed; it never actually fits on the double-page spreads. Six puffy rabbits with indistinguishable personalities find the vegetable and then wonder what to do with it—five times. The repetitive syntax and vocabulary make the text sound like it escaped from an early reader: “What else could they do with the very big carrot? Maybe they could….” After making it into a boat, airplane, sky garden and house, they eat it. The end. Tone has an eye for pattern and composition. The cover is indicative of her style: Six white rabbits sit in a row on top of a circular orange base. They are shaded by a triangular, fringed canopy of carrot leaves. Delicate green fronds fill every inch around the base, while circular, veined leaves in shades of tangerine and peach, dotted with white stars, bleed off the top of the jacket. This will likely appeal to adults who appreciate adorned surfaces. For engaging storytelling, stick with Margaret Wise Brown’s The Runaway Bunny or try Aaron Reynold and Peter Brown’s Creepy Carrots (2012).
There is not enough humor, emotion, action or conflict, nor are there sufficient details for children to notice in the visual narrative, to encourage repeated readings . (Picture book. 3-5)Pub Date: July 1, 2013
ISBN: 978-0-8028-5426-1
Page Count: 26
Publisher: Eerdmans
Review Posted Online: May 14, 2013
Kirkus Reviews Issue: June 1, 2013
BOOK REVIEW
This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to...
A hug shouldn’t require an instruction manual—but some do.
A porcupine can frighten even the largest animal. In this picture book, a bear and a deer, along with a small rabbit, each run away when they hear eight simple words and their name: “I need a hug. Will you cuddle me,…?” As they flee, each utters a definitive refusal that rhymes with their name. The repetitive structure gives Blabey plenty of opportunities for humor, because every animal responds to the question with an outlandish, pop-eyed expression of panic. But the understated moments are even funnier. Each animal takes a moment to think over the request, and the drawings are nuanced enough that readers can see the creatures react with slowly building anxiety or, sometimes, a glassy stare. These silent reaction shots not only show exquisite comic timing, but they make the rhymes in the text feel pleasingly subtle by delaying the final line in each stanza. The story is a sort of fable about tolerance. It turns out that a porcupine can give a perfectly adequate hug when its quills are flat and relaxed, but no one stays around long enough to find out except for an animal that has its own experiences with intolerance: a snake. It’s an apt, touching moral, but the climax may confuse some readers as they try to figure out the precise mechanics of the embrace.
This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to pet a porcupine.” (Picture book. 3-5)Pub Date: Jan. 29, 2019
ISBN: 978-1-338-29710-2
Page Count: 32
Publisher: Scholastic
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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