by Satomi Ichikawa & illustrated by Satomi Ichikawa ‧ RELEASE DATE: Oct. 14, 1993
``Ballerina Bear Barbara'' is one of many bears living in the room of a Parisian child. She has one good friend, Ralph, but that doesn't stop her when she decides it's time to try some new relationships. What follows is a catalogue of brief encounters with various bears of distinctive character—a handsome one with a husky voice, a funny one, a baby smelling ``of strawberry milk and vanilla biscuit''; the many who are quick to make friends are followed by others offering excuses (Zoe and Gatsby ``said no thank you, they had each other''). Then, Ichikawa, having demonstrated the meaning of fickleness and its likely consequences, and depicted an engaging gallery of cuddly, well- worn bears with her usual charm—gets a wiser Barbara back to her loyal Ralph. The last (copyright) page discloses that the text here is by Patricia Lee Gauch; even if the idea is Ichikawa's, it would be more honest to credit Gauch, at least as coauthor, on the title page. (Picture book. 4-8)
Pub Date: Oct. 14, 1993
ISBN: 0-399-22020-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1993
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More by Maryann Cusimano Love
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by Maryann Cusimano Love & illustrated by Satomi Ichikawa
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Mac Barnett ; illustrated by Carson Ellis
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by Michelle Worthington ; illustrated by Joseph Cowman ‧ RELEASE DATE: April 14, 2015
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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