An elegant and evocative compilation by a contemplative poet.
Churchill’s posthumous poetry collection offers memories and observations of a life cut short.
Although the late author wrote the poems in this book between her diagnosis in November 2010 and her death just even months later, their subject matter spans decades of her life. Reflecting on her youth in “Phyllip, the boy next door,” she muses, “We used to have such dreamy dreams.” “Our Lady of Angels” hints at her being a victim of bullying in a parochial school. She recalls moving from Chicago to Berkeley, California, as an adult, where “everything was a first.” “Augenblinck” consists of snapshots of major milestones: menarche, marriage, remarriage, and death. Aging ushers in health struggles, and in her 50s, she underwent a mastectomy: “I traded my left breast for life” (“Barn Swallows”). In the wake of her ALS diagnosis, she admits to having “fallen in love with my bed” (“Not long for the world”). She recounts her father’s hospitalization after a garage-door accident in “My Father,” which left him “a stranger in a hospital bed / pie-faced, shaved, cologned.” However, the gloriousness of nature is also a strong throughline in Churchill’s work. When a tree in a neighboring yard comes down, she observes in “Respiration” that “a hundred thousand / listening leaves / give off the last / of their life-giving oxygen.” These poems are alive with sensory details, such as “the wet slap / of gasping sunfish and bluegills / on the floor of the old Chevrolet” (“How Like a Serpent”). Occasionally, she falls into passive constructions in lines such as “cricket is captured in a stone lantern / carried carelessly by an old man” (“Dreams”), which weakens the poems’ impact, overall. Also, the inclusion of slurs such as “Chinaman” and “Jewgirl,” while reflective of the way bigots used to talk, don’t effectively add to a feeling of authenticity. Editor Butterworth, the poet’s spouse, offers a notes section and a brief biography thatmight have been improved by a stronger edit.
An elegant and evocative compilation by a contemplative poet.Pub Date: Aug. 5, 2024
ISBN: 9798888386125
Page Count: 120
Publisher: Finishing Line Press
Review Posted Online: May 20, 2024
Review Program: Kirkus Indie
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.
The former iCarly star reflects on her difficult childhood.
In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.Pub Date: Aug. 9, 2022
ISBN: 978-1-982185-82-4
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 30, 2022
Kirkus Reviews Issue: July 1, 2022
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A conversational, pleasurable look into McConaughey’s life and thought.
All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.
“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.
A conversational, pleasurable look into McConaughey’s life and thought.Pub Date: Oct. 20, 2020
ISBN: 978-0-593-13913-4
Page Count: 304
Publisher: Crown
Review Posted Online: Oct. 27, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
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