Next book

QUIET...

THE COLLECTED POEMS BY SAUCI S. CHURCHILL (1940-2011)

An elegant and evocative compilation by a contemplative poet.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Churchill’s posthumous poetry collection offers memories and observations of a life cut short.

Although the late author wrote the poems in this book between her diagnosis in November 2010 and her death just even months later, their subject matter spans decades of her life. Reflecting on her youth in “Phyllip, the boy next door,” she muses, “We used to have such dreamy dreams.” “Our Lady of Angels” hints at her being a victim of bullying in a parochial school. She recalls moving from Chicago to Berkeley, California, as an adult, where “everything was a first.” “Augenblinck” consists of snapshots of major milestones: menarche, marriage, remarriage, and death. Aging ushers in health struggles, and in her 50s, she underwent a mastectomy: “I traded my left breast for life” (“Barn Swallows”). In the wake of her ALS diagnosis, she admits to having “fallen in love with my bed” (“Not long for the world”). She recounts her father’s hospitalization after a garage-door accident in “My Father,” which left him “a stranger in a hospital bed / pie-faced, shaved, cologned.” However, the gloriousness of nature is also a strong throughline in Churchill’s work. When a tree in a neighboring yard comes down, she observes in “Respiration” that “a hundred thousand / listening leaves / give off the last / of their life-giving oxygen.” These poems are alive with sensory details, such as “the wet slap / of gasping sunfish and bluegills / on the floor of the old Chevrolet” (“How Like a Serpent”). Occasionally, she falls into passive constructions in lines such as “cricket is captured in a stone lantern / carried carelessly by an old man” (“Dreams”), which weakens the poems’ impact, overall. Also, the inclusion of slurs such as “Chinaman” and “Jewgirl,” while reflective of the way bigots used to talk, don’t effectively add to a feeling of authenticity. Editor Butterworth, the poet’s spouse, offers a notes section and a brief biography thatmight have been improved by a stronger edit.

An elegant and evocative compilation by a contemplative poet.

Pub Date: Aug. 5, 2024

ISBN: 9798888386125

Page Count: 120

Publisher: Finishing Line Press

Review Posted Online: May 20, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 15


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Awards & Accolades

Likes

  • Readers Vote
  • 15


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

Next book

CALL ME ANNE

A sweet final word from an actor who leaves a legacy of compassion and kindness.

The late actor offers a gentle guide for living with more purpose, love, and joy.

Mixing poetry, prescriptive challenges, and elements of memoir, Heche (1969-2022) delivers a narrative that is more encouraging workbook than life story. The author wants to share what she has discovered over the course of a life filled with abuse, advocacy, and uncanny turning points. Her greatest discovery? Love. “Open yourself up to love and transform kindness from a feeling you extend to those around you to actions that you perform for them,” she writes. “Only by caring can we open ourselves up to the universe, and only by opening up to the universe can we fully experience all the wonders that it holds, the greatest of which is love.” Throughout the occasionally overwrought text, Heche is heavy on the concept of care. She wants us to experience joy as she does, and she provides a road map for how to get there. Instead of slinking away from Hollywood and the ridicule that she endured there, Heche found the good and hung on, with Alec Baldwin and Harrison Ford starring as particularly shining knights in her story. Some readers may dismiss this material as vapid Hollywood stuff, but Heche’s perspective is an empathetic blend of Buddhism (minimize suffering), dialectical behavioral therapy (tolerating distress), Christianity (do unto others), and pre-Socratic philosophy (sufficient reason). “You’re not out to change the whole world, but to increase the levels of love and kindness in the world, drop by drop,” she writes. “Over time, these actions wear away the coldness, hate, and indifference around us as surely as water slowly wearing away stone.” Readers grieving her loss will take solace knowing that she lived her love-filled life on her own terms. Heche’s business and podcast partner, Heather Duffy, writes the epilogue, closing the book on a life well lived.

A sweet final word from an actor who leaves a legacy of compassion and kindness.

Pub Date: Jan. 24, 2023

ISBN: 9781627783316

Page Count: 176

Publisher: Viva Editions

Review Posted Online: Feb. 6, 2023

Kirkus Reviews Issue: March 1, 2023

Close Quickview