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IT ALL ADDS UP

FROM THE DIM PAST TO THE UNCERTAIN FUTURE

Bellow (Something to Remember Me By, 1991) makes it seem—in his introduction to these essays, addresses, interviews, and journalism pieces—as though he'd been reluctantly corralled into collecting them. And in truth, the individual entries are tied together more by the supple richness of Bellow's wonderful prose than by any greatly compelling worldview. The novelist/recorder/stylist in him always wins out here over the historian of ideas. Maybe the best piece, for its fidelity to place and time and sense of possibility, is the most unlikely: a brilliant, clever, full-hearted consideration of Franklin D. Roosevelt in which Bellow taps into the vein of American optimism and argues that the can-do bravado of Roosevelt is sorely lacking from contemporary American life. Equally fine (if slightly crowing) is a jaundiced dismissal of the mid-century New York intellectuals (the Partisan Review crowd et al.) as having been mere consumers of ideology who always needed to have the latest model of theory in their intellectual garages. The journalism here—reports from Spain, Paris, Israel, Vermont, Tuscany—is light-footed and companionable if hardly inspired. The public addresses (including Bellow's Nobel peroration) are much doughier items; and a pair of later interviews have some nice balletic turns amid flashes of ego that can be a little cloying. But for all his foibles and old ax-grindings, Bellow remains one of the most interesting, if slippery, figures in our literature. Sheen and fascination come off of every page.

Pub Date: April 1, 1994

ISBN: 0-670-85331-3

Page Count: 384

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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