by Saul Falconer ‧ RELEASE DATE: July 28, 2021
A subtle and meaningful collection about humankind under stress.
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Dystopian futures reveal the universality of primal human emotions in this SF story collection.
Each story in this anthology focuses on people grappling with the consequences of intense emotions. Highlights include “Terror,” in which a father and son living in a subterranean city win a lottery to join a group of citizens headed aboveground to prepare Earth for repopulation. According to their leaders, “the Terror,” defined as having “sharpened pointed” teeth and “catlike” eyes, live on the surface. As part of their pre-ascent orientation, the citizens view frightening images from the past. The leaders manipulate them through the use of special effects (“thunder rolled around the room, so that the very benches they sat on trembled”) so that they’ll uncritically accept the mission. In “Despair,” Skazi, a gambling addict and prisoner, awakens in corporate psychiatric facility Trans-Con, which rehabilitates mentally ill persons by shifting “the consciousness of patients…to primates and returning it back.” It turns out that participation in the program is mandatory, and noncompliance of any kind results in enslavement and exile to another planet for life. A clear concern for humanity, reminiscent of Philip K. Dick’s dystopian fiction, appears throughout all of Falconer’s stories here; their characters start out as victims of their unique situations, as one might expect, but they’re also at the mercy of their own individual flaws, as well. As if to accent the theme of humanity, the stories all distinctively open with the protagonist encountering a specific smell, such as “garlic,” “perfumed floral air,” “roasting coffee beans, “freshly cut grass,” or “sweat, linen, plastic.” Moreover, they all struggle against greater societies where humanity—as a group and as a state of existence—has been diminished, giving the tales an unmistakable feeling of profundity.
A subtle and meaningful collection about humankind under stress.Pub Date: July 28, 2021
ISBN: 979-8545048656
Page Count: 223
Publisher: Paul Bird
Review Posted Online: Sept. 2, 2021
Kirkus Reviews Issue: Oct. 15, 2021
Review Program: Kirkus Indie
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by Pierce Brown ‧ RELEASE DATE: Jan. 28, 2014
A fine novel for those who like to immerse themselves in alternative worlds.
Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.
In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.
A fine novel for those who like to immerse themselves in alternative worlds.Pub Date: Jan. 28, 2014
ISBN: 978-0-345-53978-6
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
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by Agustina Bazterrica translated by Sarah Moses ‧ RELEASE DATE: Aug. 4, 2020
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.
A processing plant manager struggles with the grim realities of a society where cannibalism is the new normal.
Marcos Tejo is the boss’s son. Once, that meant taking over his father’s meat plant when the older man began to suffer from dementia and require nursing home care. But ever since the Transition, when animals became infected with a virus fatal to humans and had to be destroyed, society has been clamoring for a new source of meat, laboring under the belief, reinforced by media and government messaging, that plant proteins would result in malnutrition and ill effects. Now, as is true across the country, Marcos’ slaughterhouse deals in “special meat”—human beings. Though Marcos understands the moral horror of his job supervising the workers who stun, kill, flay, and butcher other humans, he doesn’t feel much since the crib death of his infant son. “One can get used to almost anything,” he muses, “except for the death of a child.” One day, the head of a breeding center sends Marcos a gift: an adult female FGP, a “First Generation Pure,” born and bred in captivity. As Marcos lives with his product, he gradually begins to awaken to the trauma of his past and the nightmare of his present. This is Bazterrica’s first novel to appear in America, though she is widely published in her native Argentina, and it could have been inelegant, using shock value to get across ideas about the inherent brutality of factory farming and the cruelty of governments and societies willing to sacrifice their citizenry for power and money. It is a testament to Bazterrica’s skill that such a bleak book can also be a page-turner.
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.Pub Date: Aug. 4, 2020
ISBN: 978-1-982150-92-1
Page Count: 224
Publisher: Scribner
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
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by Agustina Bazterrica ; translated by Sarah Moses
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