This slim novel invites us to question the narratives we know and has a rewarding payoff, but is slow-moving.
An Israeli expatriate in Los Angeles reconnects with his aunt-by-marriage and returns to Israel, where secrets from the past resurface.
In a strong translation by Kahn-Hoffmann, Liebrecht portrays the connection between a young Micha and Adella, whom he meets for the first time when he's 9 years old and she's 18 and engaged to his favorite uncle. Micha comes from a big, opinionated Iranian Jewish family that looks down on Adella but he befriends her, and when the wedding plans are made, he is chosen to be her bridesman. In fluid prose, Liebrecht describes how Micha gets to know Adella, becomes fascinated with her, and participates in her wedding. As a young teenager, he relocates to Los Angeles with his mother, and then the chronology jumps ahead; Micha is an adult, working as a ghostwriter in Los Angeles, and Adella has reached out after many years to ask him to come to Israel for an unknown reason. Does she want him to ghostwrite her memoir? And who is this new woman? Adella has become Adel, and there is no trace of the timid, marginalized girl he remembers from his childhood. What ensues is a revelation of long-hidden secrets. Micha is in the business of ghostwriting, of crafting narratives from what he is told is true. But Adel's revelations make Micha revise his own memories of her and of his childhood, thus reminding readers to reexamine the stories we tell. The prose is clean and smooth, and Micha's narration transitions seamlessly from the voice of a young boy to the voice of an adult. Quietly intelligent and carefully written and translated, the novel encourages us to consider the relationship between truth and stories. Unfortunately, the narrative drags a little, and the story is not very compelling until its final shocking twist—which almost, but not quite, makes the rest worthwhile.
This slim novel invites us to question the narratives we know and has a rewarding payoff, but is slow-moving.Pub Date: Dec. 5, 2023
ISBN: 9781609459864
Page Count: 160
Publisher: Europa Editions
Review Posted Online: Sept. 21, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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