A dark coming-of-age story from the author of Convenience Store Woman (2018).
Murata made her English-language debut with the story of a 36-year-old woman who defies norms by embracing a life without a husband, children, or any hope of career advancement. This novel was a bestseller in Japan, and reviewers and other readers appreciated Murata’s oddball heroine and deadpan wit. The protagonist of this book is another outsider. One of the first things 11-year-old Natsuki explains about herself is that she has magical powers and that her best friend—a plush hedgehog—is an emissary from the planet Popinpobopia. This is why she is not surprised when her cousin Yuu reveals that he’s an alien. The sense of whimsy Murata creates is quickly crushed beneath the weight of the depravity Natsuki endures and the very unpleasant places her escape into fantasy takes her. Like Convenience Store Woman, this new novel is a critique of cultural expectations that limit what women can be and what they can do. Both as a child and as an adult, Natsuki resists being part of the “factory”—the system that will consign her to life as a wife and mother, a sex object and a good worker—and her desire to escape the Earth altogether persists. Like many an author before her, Murata uses surrealism and the tropes of horror and science fiction to explore real-world problems. But, here, she writes without subtlety or depth. Shocking scenes follow one after the other in a way that ultimately feels more pornographic than enlightening.
Simultaneously too much and not enough.