An ardent young woman navigates a world in which technology has eradicated the need for sex for all but its most devout practitioners.
Amane is still a child when she learns the disturbing truth that her mother became pregnant with her through sexual intercourse with her father. In Amane’s Japan, technological advances designed to “produce lots of children for the war effort” have replaced traditional modes of conception; sex in general is considered to be old-fashioned and sex between husband and wife is seen as incest. In fact, many of Amane’s contemporaries find the idea of partnered sexual gratification so foreign that they are increasingly asexual, forging romantic attachments solely with anime characters. Amane, a rare woman who insists on sex, creates a division between the romantic life she enjoys with both real-life boyfriends and the 40 characters she loves and the sexless family life she’s built with her husband, Saku; this works well until Amane’s mid-30s. In the throes of a difficult love affair of his own, her husband decides to move to Experiment City, a government-run enclave where the last vestiges of the “family system” are being eradicated in favor of algorithm-controlled breeding. In spite of her doubts, Amane joins him in the name of “the religion of family,” but she can’t help but bring her belief in the physical union of two bodies along with her. The novel’s frank exploration of desire from the perspective of an entire civilization of naïfs exposes some base-level assumptions about the part sexual reproduction plays in society. Unfortunately, the naïveté of the main characters seems to imprint on the novel itself, with the result that even the most potentially incendiary elements of this new world order are explored with neither nuance nor depth. The characters remain suspended in a kind of enforced adolescence—unable to either grow from worldly experience or totally abandon their society’s inherited structures and forge something new.
A great conceit filled with unrealized potential.