by Sayantani DasGupta ; illustrated by Gillian Flint ‧ RELEASE DATE: April 6, 2021
A fast-paced tale that will spark curiosity—Dr. Apgar would approve.
DasGupta, herself a physician, picks up her pen to add the story of pioneering female physician Virginia Apgar to the growing pantheon presented in the She Persisted series.
Though the name Apgar might be familiar to many adults, young audiences meeting her for the first time will find a worthy hero in these pages. Virginia was born in New Jersey in 1909 and was a go-getter from the very start. Her family was not wealthy, but education and curiosity were prized. Even though there were very few female physicians at the time, Virginia knew from a young age that she wanted to study medicine. From childhood and through her career, she gained a reputation as a “fast talker, fast thinker and fast mover” who would let nothing stand in her way. When sexism blocked her path to a career in surgery, she pivoted to the field of anesthesiology, where she would make her greatest impact in obstetrics, pioneering the infant health assessment that now bears her name. Drawing on primary sources and refraining from speculation while always being mindful of her chapter-book audience, DasGupta offers a biography that is just right for young readers eager for independence. Flint’s airy illustrations serve to illuminate the text in a charming style, depicting Apgar and most of her contemporaries as White. Tips on persistence and sources round out the book.
A fast-paced tale that will spark curiosity—Dr. Apgar would approve. (Biography. 6-9)Pub Date: April 6, 2021
ISBN: 978-0-593-11577-0
Page Count: 80
Publisher: Philomel
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Brad Meltzer ; illustrated by Christopher Eliopoulos ‧ RELEASE DATE: Sept. 10, 2019
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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