Gloomy indeed. And yet this Arab-Israeli newcomer is never once self-indulgent or sentimental, with the result that his...
A quick, readable, highly engaging—and bluntly pessimistic—debut tale of an Arab-Israeli whose life is one of anger, fear, and broken spirit.
“I was the best student in the class,” announces Kashua’s narrator, “the best in the whole fourth grade.” So it’s possible—isn’t it?—that he’ll go far, escape his family’s drab, broken village, be a great success? He does take the very tough exam for admission to a competitive Israeli school, does pass, does get admitted, and does attend—but not successfully. There’s too much shame for him in a boarding school full of Israeli Jews, shame at simple things like not knowing how to use silverware, what music to listen to, not having the right kind of pants, not pronouncing Hebrew correctly, and shame at bigger things, like the scorn, derision, and threat both in school and on the busses that take back home at the end of the week. Kashua offers nothing new so far—mightn’t this be another tale of schoolboy alienation overcome, true merit being demonstrated, acceptance, comradeship, and success following thereby? No, the conflicts, wounds, and humiliations are too many and too deep. The boy’s grandfather died in the war against Zionism, and even his father was a hero in his own college days, imprisoned on suspicion of complicity in blowing up a school cafeteria. And so, for all his brains, the boy, torn between cultures and histories, begins to fail in school, suffer health problems, lose morale. He never does finish college, but ends up as bartender in a seedy club, despising the Arabs who come in to dance, despising even his own wife, the birth of a baby daughter notwithstanding. Life, at novel’s end, remains seedy, undirected, filled with sorrow, failure, and regret.
Gloomy indeed. And yet this Arab-Israeli newcomer is never once self-indulgent or sentimental, with the result that his story rings out on every page with a compelling sense of human truth.Pub Date: May 1, 2004
ISBN: 0-8021-4126-9
Page Count: 240
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2004
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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